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Interlude: A Mover’s Guide to Standing Still
edited_book
Publication date:
2009
Publisher:
The MIT Press
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Book Chapter
Publication date:
2009
DOI:
10.7551/mitpress/7680.003.0006
SO-VID:
60d1b903-e8e3-414a-9c04-65414c5b0008
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Book chapters
Constituting Facts: Dorothy Napangardi Dances the Dreaming
Grace Taking Form: Marey’s Movement Machines
Dancing the Technogenetic Body
Notes
Bibliography
Interlude: Cornering a Beginning
Relationscapes: How Contemporary Aboriginal Art Moves beyond the Map
Prelude: What Moves as a Body Returns as a Movement of Thought
From Biopolitics to the Biogram, or How Leni Riefenstahl Moves through Fascism
Interlude: Of Force Fields and Rhythm Contours—David Spriggs’s Animate Sculptures
Interlude: A Mover’s Guide to Standing Still
Taking the Next Step
Interlude: Perceptions in Folding
Incipient Action: The Dance of the NotYet
Interlude: Animation’s Dance
Introduction: Events of Relation—Concepts in the Making
Conclusion: Propositions for Thought in Motion
Index
The Elasticity of the Almost
pp. 1
Prelude: What Moves as a Body Returns as a Movement of Thought
pp. 5
Introduction: Events of Relation—Concepts in the Making
pp. 13
Incipient Action: The Dance of the Not-Yet
pp. 29
The Elasticity of the Almost
pp. 43
Interlude: A Mover’s Guide to Standing Still
pp. 49
Taking the Next Step
pp. 61
Dancing the Technogenetic Body
pp. 77
Interlude: Perceptions in Folding
pp. 83
Grace Taking Form: Marey’s Movement Machines
pp. 113
Interlude: Animation’s Dance
pp. 119
From Biopolitics to the Biogram, or How Leni Riefenstahl Moves through Fascism
pp. 143
Interlude: Of Force Fields and Rhythm Contours— David Spriggs’s Animate Sculptures
pp. 153
Relationscapes: How Contemporary Aboriginal Art Moves beyond the Map
pp. 185
Constituting Facts: Dorothy Napangardi Dances the Dreaming
pp. 207
Interlude: Cornering a Beginning
pp. 213
Conclusion: Propositions for Thought in Motion
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