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Negotiating Artistic Identity in Comics Collaboration
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Author(s):
Ahmed Jameel
Publication date
(Online):
December 06 2016
Publisher:
Palgrave Macmillan US
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The Comics Grid: Journal of Comics Scholarship
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Comics and Language
Hannah Miodrag
(2013)
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Author and book information
Book Chapter
Publication date (Print):
2016
Publication date (Online):
December 06 2016
Pages
: 175-188
DOI:
10.1057/978-1-137-55090-3_12
SO-VID:
66dad59c-cd23-4aed-8114-1792dfc439a7
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Book chapters
pp. 1
Introduction: Understanding Comics Work
pp. 21
For the Love of the Craft: Industry, Identity, and Australian Comics
pp. 35
Between Art and the Underground: From Corporate to Collaborative Comics in India
pp. 51
Making Comics as Artisans: Comic Book Production in Colombia
pp. 65
Nuestro Futuro ¿Hombres Libres, O Esclavos?: Imagining US–Mexican Cooperation against the Axis Powers in a World War II Propaganda Comic
pp. 81
Recognizing Comics as Brazilian National Popular Culture: CETPA and the Debates over Comics Professional Identities (1961–1964)
pp. 97
From Turtles to Topatoco: A Brief History of Comic Book Production in the Pioneer Valley
pp. 115
The Case of the Missing Author: Toward an Anatomy of Collaboration in Comics
pp. 131
Drawing Fatherhood: The Working Father Figure in the Autobiographical Graphic Novels of Guy Delisle
pp. 145
Under the Radar: John Porcellino’s King-Cat Comics and Self-Publishing as Cultural Work
pp. 161
Bearing Witness and Telling It How It Is: Dialogue and Collaboration in the Creation of Dans les griffes de la vipère
pp. 175
Negotiating Artistic Identity in Comics Collaboration
pp. 189
To the Studio! Comic Book Artists: The Next Generation and the Occupational Imaginary of Comics Work
pp. 205
Gatekeeping in Comics Publishing: A Practical Guide to Gatekeeping Research
pp. 219
Toward Maturity: Analyzing the Spanish Comics Industry Through a Comparison of National Graphic Novels and Gafotaku-Oriented Manga
pp. 235
The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the American Comic Book Industry
pp. 251
Reconfiguring the Power Structure of the Comic Book Field: Crowdfunding and the Use of Social Networks
pp. 265
“A Fumetto, a Comic, and a BD Walk into a Bar…”: The Translation of Humor in Comics
pp. 283
Subcultural Clusters and Blurry Boundaries: Considering Art Worlds and Fields of Cultural Production through Localized Manga Production in Hungary
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