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AMBIGUOUS WOMEN IN MEDIEVAL ART
Doubly crowned: The Public and Private Image of Two Fourteenth-Century Hungarian Queens
edited_book
Author(s):
Christopher Mielke
Publication date
(Online):
March 2019
Publisher:
Trivent Publishing
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Trivent Medieval
Author and book information
Book Chapter
Publication date (Print):
March 2019
Publication date (Online):
March 2019
Pages
: 146-167
DOI:
10.22618/TP.HAA.20193.221.006
SO-VID:
72e2b5b6-77b8-4c96-8f98-d2e44e7f151a
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Book chapters
pp. 5
The Disease Woman: A Neutral Representation of Health?
pp. 29
The Woman in Labour: A Twelfth-Century Navarrese Relief from the Church of San Martin de Tours, Artáiz
pp. 56
Bathsheba's Bath and the Seven Deadly Sins: A New Interpretation of a Visual Narrative Strategy in Late Medieval Books of Hours
pp. 83
King Solomon’s Ambiguous Wife in the Queste del Saint Graal
pp. 120
Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
pp. 146
Doubly crowned: The Public and Private Image of Two Fourteenth-Century Hungarian Queens
pp. 168
Material and Temporal Ambiguity at Santiago de Compostela: The Case of the South Portal’s Woman with the Skull
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