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Performing the 'New' Europe
‘Sharing the Moment’: Europe, Affect, and Utopian Performatives in the Eurovision Song Contest
other
Author(s):
Marilena Zaroulia
Publication date
(Print):
2013
Publisher:
Palgrave Macmillan UK
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Special feature: Europe and Education
Author and book information
Book Chapter
Publication date (Print):
2013
Pages
: 31-52
DOI:
10.1057/9781137367983_2
SO-VID:
9a4b4201-bbcb-495a-b16d-a99e0c30f2a7
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Book chapters
pp. 1
Introduction: Eurovision and the ‘New’ Europe
pp. 31
‘Sharing the Moment’: Europe, Affect, and Utopian Performatives in the Eurovision Song Contest
pp. 53
‘It’s Just Not Funny Any More’: Terry Wogan, Melancholy Britain, and the Eurovision Song Contest
pp. 77
Europe, with Feeling: The Eurovision Song Contest as Entertainment
pp. 94
‘The Song Contest Is a Battlefield’: Panel Discussion with Eurovision Song Contest Broadcasters, 18 February 2011
pp. 111
Back to the Future: Imagining a New Russia at the Eurovision Song Contest
pp. 125
‘Playing with Fire’ and Playing It Safe: With(out) Roma at the Eurovision Song Contest?
pp. 142
From Dana to Dustin: The Reputation of Old/New Ireland and the Eurovision Song Contest
pp. 163
Competing Femininities: A ‘Girl’ for Eurovision
pp. 178
Taken by a Stranger: How Queerness Haunts Germany at Eurovision
pp. 194
Sing for Democracy: Human Rights and Sexuality Discourse in the Eurovision Song Contest
pp. 218
Conundrums of Post-Socialist Belonging at the Eurovision Song Contest
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