ScienceOpen:
research and publishing network
For Publishers
Discovery
Metadata
Peer review
Hosting
Publishing
For Researchers
Join
Publish
Review
Collect
My ScienceOpen
Sign in
Register
Dashboard
Blog
About
Search
Advanced search
My ScienceOpen
Sign in
Register
Dashboard
Search
Search
Advanced search
For Publishers
Discovery
Metadata
Peer review
Hosting
Publishing
For Researchers
Join
Publish
Review
Collect
Blog
About
0
views
0
references
Top references
cited by
0
Cite as...
0 reviews
Review
0
comments
Comment
0
recommends
+1
Recommend
0
collections
Add to
0
shares
Share
Twitter
Sina Weibo
Facebook
Email
2,675
similar
All similar
Record
: found
Abstract
: not found
Book Chapter
: not found
Production Studies
Privilege and Distinction in ProductionWorlds: Copyright, Collective Bargaining, andWorking Conditions in Media Making
other
Publication date:
September 10 2009
Publisher:
Routledge
Read this book at
Publisher
Further versions
Buy book
Review
Review book
Invite someone to review
Bookmark
Cite as...
There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
Related collections
Collective Dynamics
Author and book information
Book Chapter
Publication date:
September 10 2009
Pages
: 62-76
DOI:
10.4324/9780203879597-9
SO-VID:
b7afa708-565b-4c81-97ee-6f7d26d99d54
History
Data availability:
Comments
Comment on this book
Sign in to comment
Book chapters
pp. 9
Introduction: Production Studies: Roots and Routes
pp. 23
Bringing the Social Back In: Studies of Production Cultures and SocialTheory
pp. 33
Industry-Level Studies and the Contributions of Gitlin’s Inside Prime Time
pp. 47
Leo C. Rosten’s Hollywood: Power, Status, and the Primacy of Economic and Social Networks in Cultural Production
pp. 62
Privilege and Distinction in ProductionWorlds: Copyright, Collective Bargaining, andWorking Conditions in Media Making
pp. 79
Self-Serve Celebrity: The Production of Ordinariness and the Ordinariness of Production in RealityTelevision
pp. 95
Gender Below-the-Line: Defining Feminist Production
pp. 107
It’s NotTV, It’s Brand ManagementTV: The Collective Author(s) of the Lost Franchise
pp. 123
Showrunning the Doctor Who Franchise:A Response to
pp. 133
Liminal Places and Spaces: Public/Private Considerations
pp. 148
“Not in Kansas Anymore”: Transnational Collaboration inTelevision Science Fiction Production
pp. 162
Crossing the Border: Studying Canadian Television Production
pp. 175
Borders of Production Research:A Response to
pp. 183
Studying Sideways: Ethnographic Access in Hollywood
pp. 198
Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood
pp. 211
Lights, Camera, butWhere’s the Action? Actor-Network Theory and the Production of Robert Connolly’s Three Dollars
pp. 222
“Both Sides of the Fence”: Blurred Distinctions in Scholarship and Production (a Portfolio of Interviews)
Similar content
2,675
Employment Institutions under Liberalization Pressures: Analysing the Effects of Regulatory Change on Collective Bargaining in Spain
Authors:
Martí López-Andreu
The Decentralization of Wage Bargaining and Income Losses after Worker Displacement
Authors:
Simon Janssen
‘I wanted to go, but they said wait’: Mothers’ bargaining power and strategies in care-seeking for ill newborns in Ethiopia
Authors:
Kristine Onarheim
,
Karen Marie Moland
,
Mitike Molla
…
See all similar