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Promethean Myths of the Twenty-First Century: Contemporary Frankenstein Film Adaptations and the Rise of the Viral Zombie
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Author(s):
Xavier Aldana Reyes
Publication date
(Online):
October 14 2018
Publisher:
Springer International Publishing
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Publication date (Print):
2018
Publication date (Online):
October 14 2018
Pages
: 167-182
DOI:
10.1007/978-3-319-78142-6_10
SO-VID:
fde29e93-b402-4076-8240-20d57fbba87a
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Book chapters
pp. 1
Introduction: Global Reanimations of Frankenstein
pp. 21
The Gothic Image and the Quandaries of Science in Mary Shelley’s Frankenstein
pp. 37
Paracelsus and ‘P[r]etty Experimentalism’: The Glass Prison of Science and Secrecy in Frankenstein
pp. 53
Monstrous Dissections and Surgery as Performance: Gender, Race and the Bride of Frankenstein
pp. 75
‘The Human Senses Are Insurmountable Barriers’: Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein
pp. 91
‘We Sometimes Paused to Laugh Outright’: Frankenstein and the Struggle for Decorum
pp. 109
Monstrous, Mortal Embodiment and Last Dances: Frankenstein and the Ballet
pp. 133
‘Now I Am a Man!’: Performing Sexual Violence in the National Theatre Production of Frankenstein
pp. 149
The Cadaver’s Pulse: Cinema and the Modern Prometheus
pp. 167
Promethean Myths of the Twenty-First Century: Contemporary Frankenstein Film Adaptations and the Rise of the Viral Zombie
pp. 185
Frankenstein and the Peculiar Power of the Comics
pp. 209
Our Progeny’s Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels
pp. 227
Beyond the Filthy Form: Illustrating Mary Shelley’s Frankenstein
pp. 247
The Frankenstein Meme: The Memetic Prominence of Mary Shelley’s Creature in Anglo-American Visual and Material Cultures
pp. 265
Frankenstein in Hyperspace: The Gothic Return of Digital Technologies to the Origins of Virtual Space in Mary Shelley’s Frankenstein
pp. 283
Playing the Intercorporeal: Frankenstein’s Legacy for Games
pp. 301
What Was Man…? Reimagining Monstrosity from Humanism to Trashumanism
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