How pleasant to watch Nothing": Narrativity and Desire in V.

Pynchon's seriously playful manipulation of narrative makes the reading of his first novel V. (1963) an exploration of V. not only as literary experience but also as psychoanalytic quest into the self of the reader. Like the detective genre that he parodies, V. is a novel that invites the reader to follow along in the process of investigating V. and in so doing of asking the question of what is V., but more importantly of what is the reader's V.? The course of the present investigation will be one of going beyond the multiplicity of possible V.s in order to determine the essence of V, insofar as this may be a vehicle for analyzing the manner in which Pynchon utilizes narrative in order to formally exemplify the content of his novel. What will then be important to look at is not the particular manner(s) in which V. appears in the novel and to try and prioritize one over the others or rule some out; what must be determined in order to comprehend the essence of V. is that which supplies the relation between all the various manifestations of V. in the novel. What this points toward is the necessity of an emphasis of focus upon the formal dimension of the text and concomitantly the formal nature of V.