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      La Dispersion du Fils: Into regions of incomprehensibility

      proceedings-article
      Electronic Visualisation and the Arts (EVA)
      Electronic Visualisation and the Arts
      9 - 13 July 2018
      Immersive art, Generative art, Aleatoric art, Panorama, Omnistereo, 3D, Metamorphosis
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            Abstract

            La Dispersion du Fils concerns the tragedy of Actaeon, the hunter transformed into a stag and chased down and devoured by his own hounds. The work can be taken as an algorithmic interpretation of the tale’s central themes: metamorphosis and transcendence, pursuit of forbidden knowledge or unattainable goals, sacrifice and transgression, chance and control. Designed for display in a 360° omnistereoscopic multi-user virtual reality theatre, the work takes the form of a voyage through vast, living three-dimensional structures constructed entirely from audio-visual elements found in the film archives of Jean Michel Bruyére and the LFKs. The artwork is real-time, generative, aleatoric and chaotic; never repeating and never ending. Any single moment is guaranteed to never be witnessed again, and of all the possible states the system might assume, most will never be seen at all. This paper discussed both the immersive and emergent aspects of the work, from both technical and aesthetic viewpoints.

            Content

            Author and article information

            Contributors
            Conference
            July 2018
            July 2018
            : 331-338
            Affiliations
            [0001]LFK(s)

            Marseille, France / Berlin, Germany
            Article
            10.14236/ewic/EVA2018.64
            21abc03c-6936-4e99-a6e9-94ed6c8777b3
            © McGinity. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2018, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts
            EVA
            London, UK
            9 - 13 July 2018
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2018.64
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Immersive art,Aleatoric art,3D,Panorama,Omnistereo,Metamorphosis,Generative art

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