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      Enhancing Global Collaboration Through Network-empowered Live Performance

      proceedings-article
      , , ,
      Electronic Visualisation and the Arts (EVA 2015) (EVA)
      Electronic Visualisation and the Arts
      7 & 9 July 2015
      Networked performance, Distributed performance systems, Performance technologies, Performing arts, Cultural heritage
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            Abstract

            Live performances, whether of dance, drama or music, have been cultivated as real-time site-specific phenomena for centuries. The performances have typically occurred in a space construed as some kind of “theatre” where audience members simultaneously assembled to witness the performers ply their craft. With the emergence of cinema, followed by the advent of video and broadcast media, and most recently the development of the Internet, the potential for more diverse (and sometimes divergent) temporal and spatial relationships between performers and audiences has emerged. With the proliferation of the global Internet in the early 21 st century, the opportunities for new and novel forms of performer/audience interaction have been multiplied, but the aesthetic expectations of cinematic and broadcast experience often remain. We present case studies that profile several pioneering real-time global-scale collaborations and posit an emergent aesthetic to accompany these developments.

            Content

            Author and article information

            Contributors
            Conference
            July 2015
            July 2015
            : 32-39
            Affiliations
            [0001]Digital Worlds Institute

            University of Florida

            Florida 32611, USA
            Article
            10.14236/ewic/eva2015.3
            ff3ec534-4b8b-4d7a-9e50-0886cc241f9b
            © James C. Oliverio et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2015, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2015)
            EVA
            London, UK
            7 & 9 July 2015
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.3
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Networked performance,Performing arts,Distributed performance systems,Cultural heritage,Performance technologies

            REFERENCES

            1. 2002 Internet 2 Access Grid The Internet and Higher Education Volume 5Issue 2 Summer 2002pages 177 179

            2. 2002 Facilitating Real-Time International Collaboration with Emergent Grid Technologies: Dancing Beyond Boundaries VSMM 2002 – 8th International Conference on Virtual Systems and Multimedia November 2002 Gyeongju, Korea

            3. 2008 System and methods for synchronizing performances of geographically – disparate performers Publication number: US20080065925 A1, 03 13 2008

            4. http://www.google.com/patents/US20080065925 20 03 2015

            5. Digital Worlds 2005 Digital Worlds Team Wins Top Prize for International Project Digital Worlds Institute, University of Florida USA http://www.digitalworlds.ufl.edu/news/peoria-prize/ 20 03 2015

            6. IOCOM n.d. Video Collaboration Integration. IOCOM http://iocom.com/page/integration-api 20 03 2015

            7. iDMAa 2010 Real-time Collaborative Performances between Asia and North America IDMAA 2010 Vancouver Canada http://www.idmaa.org/idmaa2010/2010-featured-performance-event/ 20 03 2015

            8. Organic Motion n.d. Markerless Mocap for Education. Organic Motion http://www.organicmotion.com/mocap-for-education/ 20 03 2015

            9. Wikipedia 2015 Kinect http://en.wikipedia.org/wiki/Kinect 20 March 2015

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