States of Being: Art and identity in digital space and time

This one-day Symposium explored themes of personhood, modernity and digital art, bringing together speakers from a range of disciplines to consider technology, artistic practice and society. It seeks a renewed consideration of the role of art in illuminating human identity in a positive relation with technology, and its transformative effects upon space and time. The concerns for the role of art amidst the forces of a post-modern world are influenced by important legacies of the past, by which ideas about human identity and difference have been made meaningful in the relation of history and technology. In the frequently transient and conflicting forces of humanness and forces of modernity, the digital world of the arts emerges as a means by which new ideas of space and time can be considered, with new perspectives of human identity seen as states of being, towards the possibilities of experience, technology, individuality and society.

Content

Author and article information

Contributors

Jonathan P. Bowen: http://www.jpbowen.com

Tula Giannini: http://mysite.pratt.edu/~giannini/

Gareth Polmeer: http://www.garethpolmeer.com

Carla Gannis: http://www.carlagannis.com

Jeremy Gardiner: http://www.jeremygardiner.co.uk

Jonathan Kearney: http://www.jonathankearney.com

Bruce Wands: http://www.brucewands.com

Jon Weinel: http://www.jonweinel.com

Conference

Publication date: July 2018

Publication date (Print): July 2018

Pages: 1-7

Affiliations

[0001]London South Bank University

School of Engineering

London, UK

[0002]Pratt Institute

School of Information

New York, USA

[0003]Royal College of Art

London

UK

[0004]Pratt Institute

New York

USA

[0005]Ravensbourne

London

UK

[0006]University of the Arts London

Camberwell College of Arts

London, UK

[0007]MFA Computer Arts

School of Visual Arts

New York, USA

[0008]Aalborg University

Aalborg

Denmark

Article

DOI: 10.14236/ewic/EVA2018.1

SO-VID: 15f36fcd-c97f-4744-bef0-1c957b7c5da6

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 9 - 13 July 2018

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2018.1

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

M. Amerika 1997 GRAMMATRON http://www.grammatron.com/about.html (retrieved 26 May 2018 )
J. P. BowenG. DiproseN. Lambert (eds.) 2016 EVA London 2016: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2016 (retrieved 26 May 2018 )
J. P. BowenG. DiproseN. Lambert (eds.) 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2017 (retrieved 26 May 2018 )
J. P. BowenT. Giannini 2014 Digitalism: The new realism? K. NgJ. P. BowenS. McDaid (eds.) EVA London 2014: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 324 331. DOI: 10.14236/ewic/eva2014.38
J. P. BowenT. Giannini 2016 From analogue to digital in literature and art Bowen 2016 1 4 10.14236/ewic/EVA2016.1
J. P. BowenT. GianniniG. Polmeer 2017 Coded communication: Digital senses and aesthetics, merging art and life Bowen et al. 2017)1 8. DOI: 10.14236/ewic/EVA2017.1
J. P. BowenS. KeeneK. Ng (eds.) 2013 Electronic Visualisation in Arts and Culture Springer, Series on Cultural Computing
J. P. BowenJ. WeinelG. DiproseN. Lambert (eds.) 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing. (This volume.) http://www.bcs.org/ewic/eva2018
C. Gannis 2017 The augmented selfie Bowen et al. 2017), pp 319 326. DOI: 10.14236/ewic/EVA2017.66
J. GardinerA. Head 2013 Light years: Jurassic Coast: An immersive 3D landscape project Bowen et al. 2013), Chapter 675 89. DOI: 10.1007/978-1-4471-5406-8_6
J. Gardiner 2016 3D LIDAR Rapid prototype relief model of the Jurassic Coast Bowen et al. 2016)289 290. DOI: 10.14236/ewic/EVA2016.59
T. Giannini 2013 Visualizing Brooklyn: The Brooklyn Visual Heritage website K. NgJ. P. BowenS. McDaid (eds.), EVA London 2013: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 9 16 http://ewic.bcs.org/content/ConWebDoc/50974 (retrieved 26 May 2018 )
T. GianniniJ. P. Bowen 2015 Galois connections: Mathematics, art, and archives K. NgJ. P. BowenN. Lambert (eds.), EVA London 2015: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 176 191. DOI: 10.14236/ewic/eva2015.18
T. GianniniJ. P. Bowen 2016 Curating digital life and culture: Art and information Bowen et al. 2016)237 244. DOI: 10.14236/ewic/EVA2016.46
T. GianniniJ. P. Bowen 2017 Life in code and digits: When Shannon met Turing Bowen et al. 2017)51 58. DOI: 10.14236/ewic/EVA2017.9
T. GianniniJ. P. Bowen 2018 Of museums and digital culture: A landscape view Bowen et al. 2018(This volume.)
T. GianniniJ. P. Bowen (eds.) 2019 Museums and Digital Culture: New Perspectives and Research Springer, Series on Cultural Computing. (To appear.)
ICA 2018 Art in The Age of The Internet, 1989 to Today The Institute of Contemporary Art Boston, USA http://www.icaboston.org/exhibitions/art-age-internet-1989-today (retrieved 26 May 2018 )
J. Kearney 2018 Jonathan Kearney – MA Fine Art Digital Course Leader institutionCamberwell College of Arts, University of the Arts London UK http://www.arts.ac.uk/camberwell/people/postgraduate-staff/jonathan-kearney/ (retrieved 26 May 2018 )
I. PapadimitriouJ. AddisA. LomasL. DekkerK. SingporewalaP. Tresset 2017 Digital Futures: Lumen Big Reveal Bowen et al. 2017)438 440. DOI: 10.14236/ewic/EVA2017.86
G. Polmeer 2016 Sublating time: Hegel’s speculative philosophy and digital aesthetics Bowen et al. 2016)257 264. DOI: 10.14236/ewic/EVA2016.49
E. Respini 2017 On the Internet: A Q+A with Eva Respini The Institute of Contemporary Art Boston, USA 17 November. http://www.icaboston.org/articles/internet-qa-eva-respini (retrieved 26 May 2018 )
S. Sayel 2018 Creativity in the digital age: how has the internet affected the art world? The Guardian 2 February. http://www.theguardian.com/artanddesign/2018/feb/02/art-in-the-age-of-the-internet-exhibition-boston
S. Seagle 2018 Open Access at The Met: Animating artworks in the collection Metropolitan Museum of Art New York, USA 30 January. http://www.metmuseum.org/blogs/collection-insights/2018/open-access-artwork-animations (retrieved 14 May )
B. Wands 2002 Digital Creativity John Wiley & Sons
B. Wands 2006 Art of the Digital Age Thames & Hudson
B. Wands 2017 The engagement of digital art with contemporary art Bowen et al. 2017)340 344. DOI: 10.14236/ewic/EVA2017.69
B. Wands 2018 25 years of curating digital art 1993–2018 Bowen et al. 2018(This volume.)
J. Weinel 2018a Finding ’the weird’ in psychedelic art OUPblog Oxford University Press 18 January. http://blog.oup.com/2018/01/finding-weird-psychedelic-art/ (retrieved 26 April 2018 )
J. Weinel 2018b Getting high on virtual reality OUPblog Oxford University Press 4 January. http://blog.oup.com/2018/01/getting-high-virtual-reality/ (retrieved 26 April 2018 )
J. Weinel 2018c Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media New York Oxford University Press
J. Weinel 2018d Jon Weinel [online portfolio]. http://www.jonweinel.com (retrieved 26 April 2018 )
J. Weinel 2018e Ten virtual reality games that simulate altered states OUPblog Oxford University Press 13 March. http://blog.oup.com/2018/03/virtual-reality-games-simulate-altered-states/ (retrieved 26 April 2018 )
M. Amerika 1997 GRAMMATRON http://www.grammatron.com/about.html (retrieved 26 May 2018 )
J. P. BowenG. DiproseN. Lambert (eds.) 2016 EVA London 2016: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2016 (retrieved 26 May 2018 )
J. P. BowenG. DiproseN. Lambert (eds.) 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2017 (retrieved 26 May 2018 )
J. P. BowenT. Giannini 2014 Digitalism: The new realism? K. NgJ. P. BowenS. McDaid (eds.) EVA London 2014: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 324 331. DOI: 10.14236/ewic/eva2014.38
J. P. BowenT. Giannini 2016 From analogue to digital in literature and art Bowen 2016 1 4 10.14236/ewic/EVA2016.1
J. P. BowenT. GianniniG. Polmeer 2017 Coded communication: Digital senses and aesthetics, merging art and life Bowen et al. 2017)1 8. DOI: 10.14236/ewic/EVA2017.1
J. P. BowenS. KeeneK. Ng (eds.) 2013 Electronic Visualisation in Arts and Culture Springer, Series on Cultural Computing
J. P. BowenJ. WeinelG. DiproseN. Lambert (eds.) 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing. (This volume.) http://www.bcs.org/ewic/eva2018
C. Gannis 2017 The augmented selfie Bowen et al. 2017), pp 319 326. DOI: 10.14236/ewic/EVA2017.66
J. GardinerA. Head 2013 Light years: Jurassic Coast: An immersive 3D landscape project Bowen et al. 2013), Chapter 675 89. DOI: 10.1007/978-1-4471-5406-8_6
J. Gardiner 2016 3D LIDAR Rapid prototype relief model of the Jurassic Coast Bowen et al. 2016)289 290. DOI: 10.14236/ewic/EVA2016.59
T. Giannini 2013 Visualizing Brooklyn: The Brooklyn Visual Heritage website K. NgJ. P. BowenS. McDaid (eds.), EVA London 2013: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 9 16 http://ewic.bcs.org/content/ConWebDoc/50974 (retrieved 26 May 2018 )
T. GianniniJ. P. Bowen 2015 Galois connections: Mathematics, art, and archives K. NgJ. P. BowenN. Lambert (eds.), EVA London 2015: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 176 191. DOI: 10.14236/ewic/eva2015.18
T. GianniniJ. P. Bowen 2016 Curating digital life and culture: Art and information Bowen et al. 2016)237 244. DOI: 10.14236/ewic/EVA2016.46
T. GianniniJ. P. Bowen 2017 Life in code and digits: When Shannon met Turing Bowen et al. 2017)51 58. DOI: 10.14236/ewic/EVA2017.9
T. GianniniJ. P. Bowen 2018 Of museums and digital culture: A landscape view Bowen et al. 2018(This volume.)
T. GianniniJ. P. Bowen (eds.) 2019 Museums and Digital Culture: New Perspectives and Research Springer, Series on Cultural Computing. (To appear.)
ICA 2018 Art in The Age of The Internet, 1989 to Today The Institute of Contemporary Art Boston, USA http://www.icaboston.org/exhibitions/art-age-internet-1989-today (retrieved 26 May 2018 )
J. Kearney 2018 Jonathan Kearney – MA Fine Art Digital Course Leader institutionCamberwell College of Arts, University of the Arts London UK http://www.arts.ac.uk/camberwell/people/postgraduate-staff/jonathan-kearney/ (retrieved 26 May 2018 )
I. PapadimitriouJ. AddisA. LomasL. DekkerK. SingporewalaP. Tresset 2017 Digital Futures: Lumen Big Reveal Bowen et al. 2017)438 440. DOI: 10.14236/ewic/EVA2017.86
G. Polmeer 2016 Sublating time: Hegel’s speculative philosophy and digital aesthetics Bowen et al. 2016)257 264. DOI: 10.14236/ewic/EVA2016.49
E. Respini 2017 On the Internet: A Q+A with Eva Respini The Institute of Contemporary Art Boston, USA 17 November. http://www.icaboston.org/articles/internet-qa-eva-respini (retrieved 26 May 2018 )
S. Sayel 2018 Creativity in the digital age: how has the internet affected the art world? The Guardian 2 February. http://www.theguardian.com/artanddesign/2018/feb/02/art-in-the-age-of-the-internet-exhibition-boston
S. Seagle 2018 Open Access at The Met: Animating artworks in the collection Metropolitan Museum of Art New York, USA 30 January. http://www.metmuseum.org/blogs/collection-insights/2018/open-access-artwork-animations (retrieved 14 May )
B. Wands 2002 Digital Creativity John Wiley & Sons
B. Wands 2006 Art of the Digital Age Thames & Hudson
B. Wands 2017 The engagement of digital art with contemporary art Bowen et al. 2017)340 344. DOI: 10.14236/ewic/EVA2017.69
B. Wands 2018 25 years of curating digital art 1993–2018 Bowen et al. 2018(This volume.)
J. Weinel 2018a Finding ’the weird’ in psychedelic art OUPblog Oxford University Press 18 January. http://blog.oup.com/2018/01/finding-weird-psychedelic-art/ (retrieved 26 April 2018 )
J. Weinel 2018b Getting high on virtual reality OUPblog Oxford University Press 4 January. http://blog.oup.com/2018/01/getting-high-virtual-reality/ (retrieved 26 April 2018 )
J. Weinel 2018c Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media New York Oxford University Press
J. Weinel 2018d Jon Weinel [online portfolio]. http://www.jonweinel.com (retrieved 26 April 2018 )
J. Weinel 2018e Ten virtual reality games that simulate altered states OUPblog Oxford University Press 13 March. http://blog.oup.com/2018/03/virtual-reality-games-simulate-altered-states/ (retrieved 26 April 2018 )

Comments

Comment on this article

[1] M. Amerika 1997 GRAMMATRON http://www.grammatron.com/about.html (retrieved 26 May 2018 )

[2] J. P. BowenG. DiproseN. Lambert (eds.) 2016 EVA London 2016: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2016 (retrieved 26 May 2018 )

[3] J. P. BowenG. DiproseN. Lambert (eds.) 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2017 (retrieved 26 May 2018 )

[4] J. P. BowenT. Giannini 2014 Digitalism: The new realism? K. NgJ. P. BowenS. McDaid (eds.) EVA London 2014: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 324 331. DOI: 10.14236/ewic/eva2014.38

[5] J. P. BowenT. Giannini 2016 From analogue to digital in literature and art Bowen 2016 1 4 10.14236/ewic/EVA2016.1

[6] J. P. BowenT. GianniniG. Polmeer 2017 Coded communication: Digital senses and aesthetics, merging art and life Bowen et al. 2017)1 8. DOI: 10.14236/ewic/EVA2017.1

[7] J. P. BowenS. KeeneK. Ng (eds.) 2013 Electronic Visualisation in Arts and Culture Springer, Series on Cultural Computing

[8] J. P. BowenJ. WeinelG. DiproseN. Lambert (eds.) 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing. (This volume.) http://www.bcs.org/ewic/eva2018

[9] C. Gannis 2017 The augmented selfie Bowen et al. 2017), pp 319 326. DOI: 10.14236/ewic/EVA2017.66

[10] J. GardinerA. Head 2013 Light years: Jurassic Coast: An immersive 3D landscape project Bowen et al. 2013), Chapter 675 89. DOI: 10.1007/978-1-4471-5406-8_6

[11] J. Gardiner 2016 3D LIDAR Rapid prototype relief model of the Jurassic Coast Bowen et al. 2016)289 290. DOI: 10.14236/ewic/EVA2016.59

[12] T. Giannini 2013 Visualizing Brooklyn: The Brooklyn Visual Heritage website K. NgJ. P. BowenS. McDaid (eds.), EVA London 2013: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 9 16 http://ewic.bcs.org/content/ConWebDoc/50974 (retrieved 26 May 2018 )

[13] T. GianniniJ. P. Bowen 2015 Galois connections: Mathematics, art, and archives K. NgJ. P. BowenN. Lambert (eds.), EVA London 2015: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 176 191. DOI: 10.14236/ewic/eva2015.18

[14] T. GianniniJ. P. Bowen 2016 Curating digital life and culture: Art and information Bowen et al. 2016)237 244. DOI: 10.14236/ewic/EVA2016.46

[15] T. GianniniJ. P. Bowen 2017 Life in code and digits: When Shannon met Turing Bowen et al. 2017)51 58. DOI: 10.14236/ewic/EVA2017.9

[16] T. GianniniJ. P. Bowen 2018 Of museums and digital culture: A landscape view Bowen et al. 2018(This volume.)

[17] T. GianniniJ. P. Bowen (eds.) 2019 Museums and Digital Culture: New Perspectives and Research Springer, Series on Cultural Computing. (To appear.)

[18] ICA 2018 Art in The Age of The Internet, 1989 to Today The Institute of Contemporary Art Boston, USA http://www.icaboston.org/exhibitions/art-age-internet-1989-today (retrieved 26 May 2018 )

[19] J. Kearney 2018 Jonathan Kearney – MA Fine Art Digital Course Leader institutionCamberwell College of Arts, University of the Arts London UK http://www.arts.ac.uk/camberwell/people/postgraduate-staff/jonathan-kearney/ (retrieved 26 May 2018 )

[20] I. PapadimitriouJ. AddisA. LomasL. DekkerK. SingporewalaP. Tresset 2017 Digital Futures: Lumen Big Reveal Bowen et al. 2017)438 440. DOI: 10.14236/ewic/EVA2017.86

[21] G. Polmeer 2016 Sublating time: Hegel’s speculative philosophy and digital aesthetics Bowen et al. 2016)257 264. DOI: 10.14236/ewic/EVA2016.49

[22] E. Respini 2017 On the Internet: A Q+A with Eva Respini The Institute of Contemporary Art Boston, USA 17 November. http://www.icaboston.org/articles/internet-qa-eva-respini (retrieved 26 May 2018 )

[23] S. Sayel 2018 Creativity in the digital age: how has the internet affected the art world? The Guardian 2 February. http://www.theguardian.com/artanddesign/2018/feb/02/art-in-the-age-of-the-internet-exhibition-boston

[24] S. Seagle 2018 Open Access at The Met: Animating artworks in the collection Metropolitan Museum of Art New York, USA 30 January. http://www.metmuseum.org/blogs/collection-insights/2018/open-access-artwork-animations (retrieved 14 May )

[25] B. Wands 2002 Digital Creativity John Wiley & Sons

[26] B. Wands 2006 Art of the Digital Age Thames & Hudson

[27] B. Wands 2017 The engagement of digital art with contemporary art Bowen et al. 2017)340 344. DOI: 10.14236/ewic/EVA2017.69

[28] B. Wands 2018 25 years of curating digital art 1993–2018 Bowen et al. 2018(This volume.)

[29] J. Weinel 2018a Finding ’the weird’ in psychedelic art OUPblog Oxford University Press 18 January. http://blog.oup.com/2018/01/finding-weird-psychedelic-art/ (retrieved 26 April 2018 )

[30] J. Weinel 2018b Getting high on virtual reality OUPblog Oxford University Press 4 January. http://blog.oup.com/2018/01/getting-high-virtual-reality/ (retrieved 26 April 2018 )

[31] J. Weinel 2018c Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media New York Oxford University Press

[32] J. Weinel 2018d Jon Weinel [online portfolio]. http://www.jonweinel.com (retrieved 26 April 2018 )

[33] J. Weinel 2018e Ten virtual reality games that simulate altered states OUPblog Oxford University Press 13 March. http://blog.oup.com/2018/03/virtual-reality-games-simulate-altered-states/ (retrieved 26 April 2018 )

[34] M. Amerika 1997 GRAMMATRON http://www.grammatron.com/about.html (retrieved 26 May 2018 )

[35] J. P. BowenG. DiproseN. Lambert (eds.) 2016 EVA London 2016: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2016 (retrieved 26 May 2018 )

[36] J. P. BowenG. DiproseN. Lambert (eds.) 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing http://www.bcs.org/ewic/eva2017 (retrieved 26 May 2018 )

[37] J. P. BowenT. Giannini 2014 Digitalism: The new realism? K. NgJ. P. BowenS. McDaid (eds.) EVA London 2014: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 324 331. DOI: 10.14236/ewic/eva2014.38

[38] J. P. BowenT. Giannini 2016 From analogue to digital in literature and art Bowen 2016 1 4 10.14236/ewic/EVA2016.1

[39] J. P. BowenT. GianniniG. Polmeer 2017 Coded communication: Digital senses and aesthetics, merging art and life Bowen et al. 2017)1 8. DOI: 10.14236/ewic/EVA2017.1

[40] J. P. BowenS. KeeneK. Ng (eds.) 2013 Electronic Visualisation in Arts and Culture Springer, Series on Cultural Computing

[41] J. P. BowenJ. WeinelG. DiproseN. Lambert (eds.) 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing. (This volume.) http://www.bcs.org/ewic/eva2018

[42] C. Gannis 2017 The augmented selfie Bowen et al. 2017), pp 319 326. DOI: 10.14236/ewic/EVA2017.66

[43] J. GardinerA. Head 2013 Light years: Jurassic Coast: An immersive 3D landscape project Bowen et al. 2013), Chapter 675 89. DOI: 10.1007/978-1-4471-5406-8_6

[44] J. Gardiner 2016 3D LIDAR Rapid prototype relief model of the Jurassic Coast Bowen et al. 2016)289 290. DOI: 10.14236/ewic/EVA2016.59

[45] T. Giannini 2013 Visualizing Brooklyn: The Brooklyn Visual Heritage website K. NgJ. P. BowenS. McDaid (eds.), EVA London 2013: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 9 16 http://ewic.bcs.org/content/ConWebDoc/50974 (retrieved 26 May 2018 )

[46] T. GianniniJ. P. Bowen 2015 Galois connections: Mathematics, art, and archives K. NgJ. P. BowenN. Lambert (eds.), EVA London 2015: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 176 191. DOI: 10.14236/ewic/eva2015.18

[47] T. GianniniJ. P. Bowen 2016 Curating digital life and culture: Art and information Bowen et al. 2016)237 244. DOI: 10.14236/ewic/EVA2016.46

[48] T. GianniniJ. P. Bowen 2017 Life in code and digits: When Shannon met Turing Bowen et al. 2017)51 58. DOI: 10.14236/ewic/EVA2017.9

[49] T. GianniniJ. P. Bowen 2018 Of museums and digital culture: A landscape view Bowen et al. 2018(This volume.)

[50] T. GianniniJ. P. Bowen (eds.) 2019 Museums and Digital Culture: New Perspectives and Research Springer, Series on Cultural Computing. (To appear.)

[51] ICA 2018 Art in The Age of The Internet, 1989 to Today The Institute of Contemporary Art Boston, USA http://www.icaboston.org/exhibitions/art-age-internet-1989-today (retrieved 26 May 2018 )

[52] J. Kearney 2018 Jonathan Kearney – MA Fine Art Digital Course Leader institutionCamberwell College of Arts, University of the Arts London UK http://www.arts.ac.uk/camberwell/people/postgraduate-staff/jonathan-kearney/ (retrieved 26 May 2018 )

[53] I. PapadimitriouJ. AddisA. LomasL. DekkerK. SingporewalaP. Tresset 2017 Digital Futures: Lumen Big Reveal Bowen et al. 2017)438 440. DOI: 10.14236/ewic/EVA2017.86

[54] G. Polmeer 2016 Sublating time: Hegel’s speculative philosophy and digital aesthetics Bowen et al. 2016)257 264. DOI: 10.14236/ewic/EVA2016.49

[55] E. Respini 2017 On the Internet: A Q+A with Eva Respini The Institute of Contemporary Art Boston, USA 17 November. http://www.icaboston.org/articles/internet-qa-eva-respini (retrieved 26 May 2018 )

[56] S. Sayel 2018 Creativity in the digital age: how has the internet affected the art world? The Guardian 2 February. http://www.theguardian.com/artanddesign/2018/feb/02/art-in-the-age-of-the-internet-exhibition-boston

[57] S. Seagle 2018 Open Access at The Met: Animating artworks in the collection Metropolitan Museum of Art New York, USA 30 January. http://www.metmuseum.org/blogs/collection-insights/2018/open-access-artwork-animations (retrieved 14 May )

[58] B. Wands 2002 Digital Creativity John Wiley & Sons

[59] B. Wands 2006 Art of the Digital Age Thames & Hudson

[60] B. Wands 2017 The engagement of digital art with contemporary art Bowen et al. 2017)340 344. DOI: 10.14236/ewic/EVA2017.69

[61] B. Wands 2018 25 years of curating digital art 1993–2018 Bowen et al. 2018(This volume.)

[62] J. Weinel 2018a Finding ’the weird’ in psychedelic art OUPblog Oxford University Press 18 January. http://blog.oup.com/2018/01/finding-weird-psychedelic-art/ (retrieved 26 April 2018 )

[63] J. Weinel 2018b Getting high on virtual reality OUPblog Oxford University Press 4 January. http://blog.oup.com/2018/01/getting-high-virtual-reality/ (retrieved 26 April 2018 )

[64] J. Weinel 2018c Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media New York Oxford University Press

[65] J. Weinel 2018d Jon Weinel [online portfolio]. http://www.jonweinel.com (retrieved 26 April 2018 )

[66] J. Weinel 2018e Ten virtual reality games that simulate altered states OUPblog Oxford University Press 13 March. http://blog.oup.com/2018/03/virtual-reality-games-simulate-altered-states/ (retrieved 26 April 2018 )

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