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      The Structure of Narrative: the Case of Film Scripts

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          Abstract

          We analyze the style and structure of story narrative using the case of film scripts. The practical importance of this is noted, especially the need to have support tools for television movie writing. We use the Casablanca film script, and scripts from six episodes of CSI (Crime Scene Investigation). For analysis of style and structure, we quantify various central perspectives discussed in McKee's book, "Story: Substance, Structure, Style, and the Principles of Screenwriting". Film scripts offer a useful point of departure for exploration of the analysis of more general narratives. Our methodology, using Correspondence Analysis, and hierarchical clustering, is innovative in a range of areas that we discuss. In particular this work is groundbreaking in taking the qualitative analysis of McKee and grounding this analysis in a quantitative and algorithmic framework.

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          The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions

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            From Story Line to Box Office: A New Approach for Green-Lighting Movie Scripts

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              From linear story generation to branching story graphs

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                Author and article information

                Journal
                10.1016/j.patcog.2008.05.026
                0805.3799

                Artificial intelligence
                Artificial intelligence

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