Dirty Nature: Aesthetics and Ecology in Contemporary Art and Animation Exploring the Anthropocene

The research is in the first year of a practice-led PhD in animation, on the theme of the human connection with nature in the Anthropocene. This presentation explores creative strategies and processes being deployed in developing the animated work.

Content

Author and article information

Contributors

Joseph Norman

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 313-314

Affiliations

[0001]PhD researcher

University of Portsmouth

96a Cotswold Road, BN132LB, UK

Article

DOI: 10.14236/ewic/EVA2017.63

SO-VID: 2fb5dee4-49d8-46af-88f1-41ef22316f08

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.63

Self URI (journal page): https://ewic.bcs.org/

3. REFERENCES

M. Bahktin 1984 Rabelais and His World. H. Iswolsky 2^nd edition Bloomington Indiana University Press
A. Malm 2015 The Anthropocene myth. Jacobin https://www.iacobinmag.com/2015/03/anthropocene-capitalism-climate-change/ 26 February 2017

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[1] M. Bahktin 1984 Rabelais and His World. H. Iswolsky 2^nd edition Bloomington Indiana University Press

[2] A. Malm 2015 The Anthropocene myth. Jacobin https://www.iacobinmag.com/2015/03/anthropocene-capitalism-climate-change/ 26 February 2017

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