Electrical Impulses

The project comprises of a real-time performance creating a mixture between the different processes, where it includes both contemporary classical and electro-acoustic music. It is focused on a piano and clarinet performance and the fusion between micro-montage, concrete sounds and live-electronics. The project explores an area of research by observing the sound matter and what kind of sound is operating. It may be presented with the assistance of electronic technology involving instrumental performance, or, even a human voice. This resulting conditioning becomes the continuous representation of time and space.

Content

Author and article information

Contributors

Marina Vesic

Diogo Lopes

Conference

Publication date: July 2015

Publication date (Print): July 2015

Pages: 138-139

Affiliations

[0001]University of Music and Performing Arts in Vienna

University of Music and Performing Arts in Belgrade

SRB – Serbia

[0002]Faculty of Engineering

University of Porto

High School of Arts and Design of Caldas da Rainha

PT – Portugal

Article

DOI: 10.14236/ewic/eva2015.67

SO-VID: bf5db555-bbe9-4563-8472-39fab66fa315

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2015)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 7 & 9 July 2015

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.67

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

C Caires 2004 IRIN: Micromontage in Graphical Sound Editing and Mixing Tool Centre de Recherche Informatique et Création Musicale (CICM), Université de Paris VIII France http://hdl.handle.net/2027/spo.bbp2372.2004.045 25 June 2015
M Solomos 2007 Espaces Composables: Une Introduction à la pensée musico-théorique d’Horacio Vaggione L’Harmattan 29 68 https://halshs.archives-ouvertes.fr/hal-00770211 25 June 2015
H Vaggione 2002 Décorrelation microtemporelle morphologies et figurations spatiales Centre de Recherche Informatique et Création Musicale (CICM), Université Paris VIII France http://jim.afimasso.org/jim2002/articles/L27_Vaggione.pdf 25 June 2015
A Carneiro 1995 Campo sujeito e representação no ensino e na prática do desenho/projecto FAUP

Comments

Comment on this article

[1] C Caires 2004 IRIN: Micromontage in Graphical Sound Editing and Mixing Tool Centre de Recherche Informatique et Création Musicale (CICM), Université de Paris VIII France http://hdl.handle.net/2027/spo.bbp2372.2004.045 25 June 2015

[2] M Solomos 2007 Espaces Composables: Une Introduction à la pensée musico-théorique d’Horacio Vaggione L’Harmattan 29 68 https://halshs.archives-ouvertes.fr/hal-00770211 25 June 2015

[3] H Vaggione 2002 Décorrelation microtemporelle morphologies et figurations spatiales Centre de Recherche Informatique et Création Musicale (CICM), Université Paris VIII France http://jim.afimasso.org/jim2002/articles/L27_Vaggione.pdf 25 June 2015

[4] A Carneiro 1995 Campo sujeito e representação no ensino e na prática do desenho/projecto FAUP

Celebrating 65 years of The Computer Journal - free-to-read perspectives - bcs.org/tcj65