A música e a estrutura cinematográfica dos filmes de Robert Bresson

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Abstract

Resumo Esta resenha apresenta o livro A música no cinema de Robert Bresson, de Luiza Beatriz Amorim Melo Alvin, destacando as análises musicais detalhadas, realizadas pela autora, para entender a relevância da música na estruturação do pensamento cinematográfico do cineasta.

Translated abstract

Abstract This review presents Luiza Beatriz Amorim Melo Alvin's book: The music in the cinema of Robert Bresson, emphasizing the detailed musical analysis performed by the author, in order to understand the relevance of the music in the structuring of the cinematographic thought of the filmmaker.

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Author and article information

Contributors

Débora Regina Opolski: Role: ND

Journal

Journal ID (publisher-id): gal

Title: Galáxia (São Paulo)

Abbreviated Title: Galáxia (São Paulo)

Publisher: Programa de Estudos Pós-graduados em Comunicação e Semiótica - PUC-SP (São Paulo, SP, Brazil )

ISSN (Print): 1519-311X

ISSN (Electronic): 1982-2553

Publication date (Print and electronic): April 2018

Volume: 0

Issue: 37

Pages: 175-178

Affiliations

[01] Curitiba Paraná orgnameUniversidade Federal do Paraná Brazil

Article

Publisher ID: S1982-25532018000100175

DOI: 10.1590/1982-2554135509

SO-VID: 10931dee-609f-4fc0-a6c6-06224262de96

License:

This work is licensed under a Creative Commons Attribution 4.0 International License.

History

Page count

Figures: 0, Tables: 0, Equations: 0, References: 2, Pages: 4

Product

SciELO Brazil

Keywords: music,Robert Bresson,som,música,sound

Data availability:

Keywords: music, Robert Bresson, som, música, sound

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