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      O monumental e o íntimo: dimensões da memória da resistência no documentário brasileiro recente Translated title: Monumental and intimate: dimensions of the memory of resistance in Brazilian contemporary documentary

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          Abstract

          Propõe-se um exercício acerca da memória da resistência à ditadura no documentarismo brasileiro contemporâneo. Monumentalização e intimidade são as noções guias das análises de Hércules 56 (Silvio Da-Rin, 2006) e Diário de uma busca (Flavia Castro, 2010). No caso do primeiro filme, sugere-se que os cânones do documentário de entrevista, primando pela coesão, estabelecem uma memória monumental e conciliadora. Quanto ao segundo filme, sustenta-se que a perspectiva íntima, plena de hesitações, pode sinalizar a permanência de lacunas na conciliação democrática brasileira. O contraste entre memória celebrativa e memória introspectiva ressalta a necessidade de crítica da impunidade presente.

          Translated abstract

          On propose un exercice sur la mémoire de la résistance contre la dictature dans le documentaire brésilien contemporain. Monumentalisation et intimité sont les notions qui guident les analyses de Hércules 56 (Silvio Da-Rin, 2006) et Lettres et révolutions (Flavia Castro, 2010). Dans le cas du premier film, il est suggéré que les canons du documentaire d'entretiens, qui privilégient la cohésion, établissent une mémoire monumentale et conciliante. En ce qui concerne le deuxième film, il est suggéré que le point de vue intime, avec ses hésitations, peut signaler la permanence de lacunes dans la conciliation démocratique brésilienne. Le contraste entre la mémoire qui célèbre et la mémoire introspective met en évidence la nécessité de critique de la présente impunité.

          Translated abstract

          It's proposed an exercise about the memory of resistance against dictatorship in the Brazilian contemporary documentary. Monumentalization and intimacy are the guiding notions of the analysis of Hércules 56 (Silvio Da-Rin, 2006) and Diary, letters, revolutions (Flavia Castro, 2010). In the case of the first film, it's suggested that the standards of interview-oriented documentary, striving for cohesion, establish a monumental and conciliatory memory. Regarding the second film, the analysis proposes that the intimate perspective, full of hesitations, might indicate the permanence of gaps in the Brazilian democratic conciliation. The contrast between celebratory and introspective memories emphasizes the critical needs around present impunity.

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          Most cited references 25

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          The Generation of Postmemory

           M. Hirsch (2008)
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            O fantasma da revolução brasileira

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              Combate nas Trevas. A esquerda brasileira: das ilusões perdidas à luta armada

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                Author and article information

                Contributors
                Role: ND
                Journal
                eh
                Estudos Históricos (Rio de Janeiro)
                Estud. hist. (Rio J.)
                Centro de Pesquisa e Documentação de História Contemporânea do Brasil da Fundação Getúlio Vargas (Rio de Janeiro )
                2178-1494
                June 2013
                : 26
                : 51
                : 55-72
                Article
                S0103-21862013000100004
                Product
                Product Information: website
                Categories
                HISTORY
                HUMANITIES, MULTIDISCIPLINARY

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