Blog
About

165
views
0
recommends
+1 Recommend
1 collections
    10
    shares
      • Record: found
      • Abstract: found
      • Conference Proceedings: found
      Is Open Access

      The Making of a Digital (Master)Piece

      Electronic Visualisation and the Arts (EVA 2017) (EVA)

      Electronic Visualisation and the Arts

      11 – 13 July 2017

      Digital art, Feminist, Hybrid art, Conceptual, Misinformation, Socipolitical, Neon, Algorithms, Contemporary art

      Read this article at

      Bookmark
          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          This presentation is a forthright insight into the development and completion of digital artwork; This Much I’m Worth (The self-evaluating artwork) from prototype to large scale finished piece. This Much I’m Worth continually assesses and displays its sale price governed by a complex set of algorithms called “The Endorsers”. Raising questions about values and who apportions them; is it clear how we, as a society, value objects or even people or are those systems really hidden? This Much I’m Worth won the Aesthetica Prize in 2016 and since then the artist has been working on a larger scale spectacular version of the piece in full neon. Over 3 metres wide, the new piece combines 71 pieces of neon controlled, via recycled server room equipment, by the endorsers, the internet of things and other technologies. This Much I’m Worth is part of a wider body of work that addresses feminist issues, conspiracies of silence and misinformation. The final version of the piece has been a challenging and formidable project made all the more complex by the artist’s own ambition to work with only women experts in fields dominated by men. The talk will also touch upon issues related to the making around: outsourcing skills, data-mining, methodologies and alternative technologies as well as practical issues of funding, documentation and ongoing algorithmic support of a digital project.

          Related collections

          Most cited references 11

          • Record: found
          • Abstract: not found
          • Article: not found

          Sound Localization by Human Listeners

            Bookmark
            • Record: found
            • Abstract: not found
            • Article: not found

            Presence in Immersive Virtual Environment

             M. SLATER,  M Usoh (1993)
              Bookmark
              • Record: found
              • Abstract: not found
              • Article: not found

              Sound Localization by Human Listeners

                Bookmark

                Author and article information

                Contributors
                Conference
                July 2017
                July 2017
                : 327-334
                Affiliations
                Thames-Side Studios

                London SE18, UK
                Article
                10.14236/ewic/EVA2017.67
                © Ara. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Electronic Visualisation and the Arts (EVA 2017)
                EVA
                London, UK
                11 – 13 July 2017
                Electronic Workshops in Computing (eWiC)
                Electronic Visualisation and the Arts
                Product
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

                Comments

                Comment on this article