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      A produção artística de Tom Zé na década de 1970: considerações sobre o projeto da música “operária” e o disco Estudando o samba Translated title: The artistic production of Tom Zé in the 1970s: considerations on the project of “worker” music and the disc “Estudando o samba”

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          Abstract

          RESUMO Este artigo trata da produção artística do compositor Tom Zé realizada durante o seu período de ostracismo e procura compreender melhor as especificidades de sua atuação e inserção no mercado musical brasileiro. Com base em discursos presentes em matérias publicadas em periódicos, pesquisamos o sentido da ação do compositor baiano ao desenvolver um projeto que designou como “música operária”: uma pesquisa experimental com ferramentas, máquinas de oficina e sons oriundos da execução de fitas magnéticas. Considerando que, na década de 1970, o gênero samba passava por uma fase de revitalização e ascensão de popularidade no mercado, realizamos um estudo sobre o disco Estudando o samba (1976), verificando de que maneira Tom Zé se posicionou artisticamente nos debates estéticos sobre o gênero.

          Translated abstract

          ABSTRACT This article deals with the artistic production of the composer Tom Zé performed during his period of ostracism and seek to better understand the specifics of his actuation and insertion in the Brazilian musical market. Based on discourses present in articles published in journals, we researched the meaning of action of the composer Tom Zé in developing the project of “worker music”, accomplishing an experimental research with tools, workshop machinery and sounds derived from the playing of magnetic tapes. Considering that, in the 1970s, the genre samba was going through a phase of revitalization and popularity in the market, we conducted a study on the album “Estudando o samba” (1976), verifying how Tom Zé positioned himself artistically in the ongoing aesthetic debates about the genre.

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          Most cited references30

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          História concisa da literatura brasileira

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            Seguindo a canção: Engajamento político e indústria cultural na MPB (1959-1969)

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              O século da canção

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                Author and article information

                Contributors
                Role: ND
                Journal
                rieb
                Revista do Instituto de Estudos Brasileiros
                Rev. Inst. Estud. Bras.
                Instituto de Estudos Brasileiros (São Paulo, SP, Brazil )
                0020-3874
                2316-901X
                September 2017
                : 0
                : 68
                : 122-144
                Affiliations
                [1] Campinas São Paulo orgnameUniversidade Estadual de Campinas Brazil
                Article
                S0020-38742017000300122
                10.11606/issn.2316-901x.v0i68p122-144
                1eafbb74-7980-4125-98c1-196334e43701

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

                History
                : 07 March 2017
                : 18 October 2017
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 30, Pages: 23
                Product

                SciELO Brazil


                Popular music,experimentalismo,canção,song,experimentalism.,Música popular

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