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      Enhancing social media engagement using AI-modified background music: examining the roles of event relevance, lyric resonance, AI-singer origins, audience interpretation, emotional resonance, and social media engagement

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          Abstract

          Introduction

          Drawing on the S-O-R model, this study aims to investigate the influence of three stimuli from AI-modified music (i.e., event relevance, lyric resonance, and AI-singer origins), two responses from social media content consumers (i.e., audience interpretation and emotional resonance) on the social media engagement of personalized background music modified by artificial intelligence (AI).

          Methods

          The structural equation modeling analyses of 467 social media content consumers’ responses confirmed the role of those three stimuli and the mediating effect of audience interpretation and emotional resonance in shaping social media engagement.

          Results

          The findings shed light on the underlying mechanisms that drive social media engagement in the context of AI-modified background music created for non-professional content creators.

          Discussion

          The theoretical and practical implications of this study advance our understanding of social media engagement with AI-singer-originated background music and provide a basis for future investigations into this rapidly evolving phenomenon in the gig economy.

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          Most cited references80

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          Back-Translation for Cross-Cultural Research

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            Exploring customer brand engagement: definition and themes

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              Emotional responses to music: the need to consider underlying mechanisms.

              Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the "default" mechanism for emotion induction, a cognitive appraisal. Here, we present a novel theoretical framework featuring six additional mechanisms through which music listening may induce emotions: (1) brain stem reflexes, (2) evaluative conditioning, (3) emotional contagion, (4) visual imagery, (5) episodic memory, and (6) musical expectancy. We propose that these mechanisms differ regarding such characteristics as their information focus, ontogenetic development, key brain regions, cultural impact, induction speed, degree of volitional influence, modularity, and dependence on musical structure. By synthesizing theory and findings from different domains, we are able to provide the first set of hypotheses that can help researchers to distinguish among the mechanisms. We show that failure to control for the underlying mechanism may lead to inconsistent or non-interpretable findings. Thus, we argue that the new framework may guide future research and help to resolve previous disagreements in the field. We conclude that music evokes emotions through mechanisms that are not unique to music, and that the study of musical emotions could benefit the emotion field as a whole by providing novel paradigms for emotion induction.
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                Author and article information

                Contributors
                URI : http://loop.frontiersin.org/people/2390258/overviewRole: Role: Role: Role: Role: Role:
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                15 April 2024
                2024
                : 15
                : 1267516
                Affiliations
                Conservatory of Music, Communication University of Zhejiang , Hangzhou, China
                Author notes

                Edited by: Anfan Chen, Hong Kong Baptist University, Hong Kong SAR, China

                Reviewed by: Xiaoyan Liu, Beijing Jiaotong University, China

                Aaron Ng, Singapore Institute of Technology, Singapore

                *Correspondence: Xiaohui Gu, guxiaoh@ 123456cuz.edu.cn
                Article
                10.3389/fpsyg.2024.1267516
                11057495
                38686081
                36cf93d2-22cb-4b35-b5a0-3897f1479513
                Copyright © 2024 Gu.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 26 July 2023
                : 25 March 2024
                Page count
                Figures: 1, Tables: 5, Equations: 0, References: 81, Pages: 12, Words: 9205
                Funding
                The author(s) declare that no financial support was received for the research, authorship, and/or publication of this article.
                Categories
                Psychology
                Original Research
                Custom metadata
                Media Psychology

                Clinical Psychology & Psychiatry
                social media engagement,ai-modified background music,event relevance,lyric resonance,ai-singer origins,audience interpretation,emotional resonance

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