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      Searching for Roots of Entrainment and Joint Action in Early Musical Interactions

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          Abstract

          When people play music and dance together, they engage in forms of musical joint action that are often characterized by a shared sense of rhythmic timing and affective state (i.e., temporal and affective entrainment). In order to understand the origins of musical joint action, we propose a model in which entrainment is linked to dual mechanisms (motor resonance and action simulation), which in turn support musical behavior (imitation and complementary joint action). To illustrate this model, we consider two generic forms of joint musical behavior: chorusing and turn-taking. We explore how these common behaviors can be founded on entrainment capacities established early in human development, specifically during musical interactions between infants and their caregivers. If the roots of entrainment are found in early musical interactions which are practiced from childhood into adulthood, then we propose that the rehearsal of advanced musical ensemble skills can be considered to be a refined, mimetic form of temporal and affective entrainment whose evolution begins in infancy.

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          Most cited references84

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          Action observation and acquired motor skills: an FMRI study with expert dancers.

          When we observe someone performing an action, do our brains simulate making that action? Acquired motor skills offer a unique way to test this question, since people differ widely in the actions they have learned to perform. We used functional magnetic resonance imaging to study differences in brain activity between watching an action that one has learned to do and an action that one has not, in order to assess whether the brain processes of action observation are modulated by the expertise and motor repertoire of the observer. Experts in classical ballet, experts in capoeira and inexpert control subjects viewed videos of ballet or capoeira actions. Comparing the brain activity when dancers watched their own dance style versus the other style therefore reveals the influence of motor expertise on action observation. We found greater bilateral activations in premotor cortex and intraparietal sulcus, right superior parietal lobe and left posterior superior temporal sulcus when expert dancers viewed movements that they had been trained to perform compared to movements they had not. Our results show that this 'mirror system' integrates observed actions of others with an individual's personal motor repertoire, and suggest that the human brain understands actions by motor simulation.
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            Shared intentionality.

            We argue for the importance of processes of shared intentionality in children's early cognitive development. We look briefly at four important social-cognitive skills and how they are transformed by shared intentionality. In each case, we look first at a kind of individualistic version of the skill -- as exemplified most clearly in the behavior of chimpanzees -- and then at a version based on shared intentionality -- as exemplified most clearly in the behavior of human 1- and 2-year-olds. We thus see the following transformations: gaze following into joint attention, social manipulation into cooperative communication, group activity into collaboration, and social learning into instructed learning. We conclude by highlighting the role that shared intentionality may play in integrating more biologically based and more culturally based theories of human development.
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              • Article: not found

              The case for motor involvement in perceiving conspecifics.

              Perceiving other people's behaviors activates imitative motor plans in the perceiver, but there is disagreement as to the function of this activation. In contrast to other recent proposals (e.g., that it subserves overt imitation, identification and understanding of actions, or working memory), here it is argued that imitative motor activation feeds back into the perceptual processing of conspecifics' behaviors, generating top-down expectations and predictions of the unfolding action. Furthermore, this account incorporates recent ideas about emulators in the brain-mental simulations that run in parallel to the external events they simulate-to provide a mechanism by which motoric involvement could contribute to perception. Evidence from a variety of literatures is brought to bear to support this account of perceiving human body movement.

                Author and article information

                Journal
                Front Hum Neurosci
                Front. Hum. Neurosci.
                Frontiers in Human Neuroscience
                Frontiers Research Foundation
                1662-5161
                28 February 2012
                2012
                : 6
                : 26
                Affiliations
                [1] 1simpleInternational Laboratory for Brain, Music and Sound Montreal, Quebec, Canada
                [2] 2simpleMax Planck Institute for Human Cognitive and Brain Sciences Leipzig, Germany
                [3] 3simpleMARCS Institute, University of Western Sydney Australia
                Author notes

                Edited by: Robert J. Zatorre, McGill University, Canada

                Reviewed by: Robert J. Zatorre, McGill University, Canada; Edward W. Large, Florida Atlantic University, USA; Erin Hannon, University of Nevada Las Vegas, USA

                *Correspondence: Jessica Phillips-Silver, International Laboratory for Brain, Music and Sound, Pavillon 1430 Boulevard Mont-Royal, H2V 4P3, QC, Montréal, Canada. e-mail: jessica.phillips-silver@ 123456umontreal.ca ; Peter E. Keller, Max Planck Research Group “Music Cognition & Action”, Max Planck Institute for Human Cognitive and Brain Sciences, 04103 Leipzig, Germany. e-mail: keller@ 123456cbs.mpg.de
                Article
                10.3389/fnhum.2012.00026
                3288575
                22375113
                39948dfc-c4dc-4aac-8e95-5b618b8fe6d1
                Copyright © 2012 Phillips-Silver and Keller.

                This is an open-access article distributed under the terms of the Creative Commons Attribution Non Commercial License, which permits non-commercial use, distribution, and reproduction in other forums, provided the original authors and source are credited.

                History
                : 26 July 2011
                : 07 February 2012
                Page count
                Figures: 2, Tables: 0, Equations: 0, References: 142, Pages: 11, Words: 10280
                Categories
                Neuroscience
                Review Article

                Neurosciences
                development,dance,entrainment,joint action,ensemble skills,music
                Neurosciences
                development, dance, entrainment, joint action, ensemble skills, music

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