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      The Evaluation Simulator: A New Approach to Training Music Performance Assessment

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          Abstract

          A growing body of work has examined the act of evaluating the quality of a musical performance. This article considers the domain of training evaluative skills in musicians, presenting assessment as a form of performance to be taught and demonstrating a gap in opportunities for trainees to develop evaluative skills within the heightened environments of live assessment scenarios. To address these needs, the concepts of Immersive Virtual Environments (IVEs) and distributed simulation are described, highlighting their use in training and research in other performance domains. Taking this model as a starting point, we present the Evaluation Simulator as a new tool to study and train performance evaluation. Potential applications of this prototype technology in pedagogical and research settings are then discussed.

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          The role of deliberate practice in the acquisition of expert performance.

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            Formative assessment and self‐regulated learning: a model and seven principles of good feedback practice

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              From presence to consciousness through virtual reality.

              Immersive virtual environments can break the deep, everyday connection between where our senses tell us we are and where we are actually located and whom we are with. The concept of 'presence' refers to the phenomenon of behaving and feeling as if we are in the virtual world created by computer displays. In this article, we argue that presence is worthy of study by neuroscientists, and that it might aid the study of perception and consciousness.
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                Author and article information

                Contributors
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                09 April 2019
                2019
                : 10
                : 557
                Affiliations
                [1] 1Centre for Performance Science, Royal College of Music , London, United Kingdom
                [2] 2Faculty of Medicine, Imperial College London , London, United Kingdom
                Author notes

                Edited by: Gunter Kreutz, University of Oldenburg, Germany

                Reviewed by: Reinhard Kopiez, Hanover University of Music Drama and Media, Germany; Margaret S. Osborne, The University of Melbourne, Australia

                *Correspondence: Aaron Williamon aaron.williamon@ 123456rcm.ac.uk

                This article was submitted to Performance Science, a section of the journal Frontiers in Psychology

                Article
                10.3389/fpsyg.2019.00557
                6465612
                3c907f02-f93b-47a0-850c-dd1ce0020759
                Copyright © 2019 Waddell, Perkins and Williamon.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 31 July 2018
                : 27 February 2019
                Page count
                Figures: 5, Tables: 2, Equations: 0, References: 104, Pages: 17, Words: 13758
                Categories
                Psychology
                Technology Report

                Clinical Psychology & Psychiatry
                evaluation,simulation,assessment,performance,immersive virtual environment (ive)

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