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      Editar y escribir. Acercamientos a iniciativas editoriales y crítica de cine en Bolivia hoy Translated title: Editing and Writing. A Look at Editorial Initiatives and Film Critiques in Bolivia Today

      research-article
      Revista Ciencia y Cultura
      Universidad Católica Boliviana

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          Abstract

          Motivada por la publicación reciente (2018) de una nueva historia general del cine boliviano (Historia del cine boliviano 1897-2017), la autora evalúa la complejidad que asumen las formas y modalidades de abordaje crítico e investigativo sobre la producción cinematográfica del país. Para ello recurre a dos ideas articuladoras: a) la necesidad de relatar un fenómeno cultural relativamente desconocido y no suficientemente estudiado, como es el cine boliviano; y b) el hecho de que en ese relato se entrelazan, casi necesariamente, la investigación y el testimonio, toda vez que los investigadores y estudiosos son a menudo también protagonistas del hacer cinematográfico. El primer gesto es ejemplificado precisamente por el mencionado libro, cuyos criterios de trabajo son sometidos a escrutinio crítico; mientras el segundo permite a la autora ampliar la reflexión hacia la producción actual (revistas impresas y digitales, documentos de festivales y encuentros, catálogos y memorias), caracterizada por nuevos intentos de articular y relacionar las realidades del cine nacional.

          Translated abstract

          On the occasion of the recent (2018) publication of a new general history of Bolivian cinema, the work evaluates the complexity of forms and modes of taking on critique and research of the cinema production of the country. Two linking ideas are employed for this purpose: a) the need to tell the story of Bolivian cinema, a cultural phenomenon that is relatively unknown and has not been sufficiently studied; and b) the fact that in telling this story, there is an almost inevitable intertwining of research and testimony, as the researchers and scholars are often also protagonists of film-making. The first approach is exemplified by the mentioned book, the work criteria of which are subjected to critical scrutiny, while the second approach allows the author to expand reflection to present-day production (printed and digital magazines, festival and encounter documents, catalogues and reports), characterized by new efforts for bringing together and interrelating the realities of the country's cinema.

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          Most cited references7

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          Texto editorial

          (2018)
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            • Abstract: not found
            • Book: not found

            Historia del cine en Bolivia 1897-2017

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              • Abstract: not found
              • Book: not found

              Socavones. Textos sobre la obra de Socavón Cine [2008-2017]

                Author and article information

                Journal
                rcc
                Revista Ciencia y Cultura
                Rev Cien Cult
                Universidad Católica Boliviana (La Paz, , Bolivia )
                2077-3323
                December 2018
                : 22
                : 41
                : 183-193
                Article
                S2077-33232018000200010 S2077-3323(18)02204100010
                3ce825fd-1301-48f1-959e-d27843e46aaf

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 8, Pages: 11
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                SciELO Bolivia

                Self URI: Texto completo solamente en formato PDF (ES)
                Categories
                IDEAS Y PENSAMIENTOS

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