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      Fishing for Souls: Water Technology and the Dutch Baroque Translated title: Arcadia: Explorations in Environmental History, Autumn 2018, no. 26: Fishing for Souls: Water Technology and the Dutch Baroque

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          Abstract

          Human supremacy over the nonhuman world is built on the premise of a knowable universe with regular laws. In early modern Europe, the environment became the machine upon which humanity could exert its domination; the exploitation of resources was (and, perhaps, still is) the ultimate goal for a species that was reordering the hierarchies of nature and culture. This article examines how water aesthetics emerged form a Judeo-Christian matrix that was reimagining the environment in the service of human progress. It will examine how water acts as an historical agent both in the the emergence of technologies and the social and cultural aesthetics of the early modern period.

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          Author and article information

          Journal
          Arcadia: Explorations in Environmental History
          Rachel Carson Center for Environment and Society, Munich, Germany
          2018
          26 October 2018
          Article
          10.5282/RCC/8387
          45ba7d6c-7d1a-4f16-8ab0-0a405f9adab8

          CC BY 4.0 2018 Lisa FitzGerald

          This refers only to the text and does not include any image rights. Please click on an image to view its individual rights status.

          History

          Literary studies,Philosophy of science,Environmental change,Environmental studies,Contemporary history,Cultural studies
          environmental knowledge,art,culture,propaganda,religion,water

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