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      Rhythmic swaying induced by sound in chimpanzees ( Pan troglodytes)

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          Significance

          In humans, listening to music induces rhythmic movement, suggesting a close connection between the auditory and motor areas in the brain. Sound also induces rhythmic swaying in chimpanzees. Male chimpanzees are more responsive to sound than female chimpanzees, consistent with previous research on acoustic communication in their patriarchal societies. We also found an effect of beat tempo on movement periodicity and tendency to seek the sound. These results suggest that prerequisites for music and dance are deeply rooted and existed in the common ancestor shared by humans and chimpanzees, approximately 6 million years ago.

          Abstract

          Music and dance are universal across human culture and have an ancient history. One characteristic of music is its strong influence on movement. For example, an auditory beat induces rhythmic movement with positive emotions in humans from early developmental stages. In this study, we investigated if sound induced spontaneous rhythmic movement in chimpanzees. Three experiments showed that: 1) an auditory beat induced rhythmic swaying and other rhythmic movements, with larger responses from male chimpanzees than female chimpanzees; 2) random beat as well as regular beat induced rhythmic swaying and beat tempo affected movement periodicity in a chimpanzee in a bipedal posture; and 3) a chimpanzee showed close proximity to the sound source while hearing auditory stimuli. The finding that male chimpanzees showed a larger response to sound than female chimpanzees was consistent with previous literature about “rain dances” in the wild, where male chimpanzees engage in rhythmic displays when hearing the sound of rain starting. The fact that rhythmic swaying was induced regardless of beat regularity may be a critical difference from humans, and a further study should reveal the physiological properties of sound that induce rhythmic movements in chimpanzees. These results suggest some biological foundation for dancing existed in the common ancestor of humans and chimpanzees ∼6 million years ago. As such, this study supports the evolutionary origins of musicality.

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          Most cited references55

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          Stereotypies: a critical review

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            Statistical universals reveal the structures and functions of human music.

            Music has been called "the universal language of mankind." Although contemporary theories of music evolution often invoke various musical universals, the existence of such universals has been disputed for decades and has never been empirically demonstrated. Here we combine a music-classification scheme with statistical analyses, including phylogenetic comparative methods, to examine a well-sampled global set of 304 music recordings. Our analyses reveal no absolute universals but strong support for many statistical universals that are consistent across all nine geographic regions sampled. These universals include 18 musical features that are common individually as well as a network of 10 features that are commonly associated with one another. They span not only features related to pitch and rhythm that are often cited as putative universals but also rarely cited domains including performance style and social context. These cross-cultural structural regularities of human music may relate to roles in facilitating group coordination and cohesion, as exemplified by the universal tendency to sing, play percussion instruments, and dance to simple, repetitive music in groups. Our findings highlight the need for scientists studying music evolution to expand the range of musical cultures and musical features under consideration. The statistical universals we identified represent important candidates for future investigation.
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              Experimental evidence for synchronization to a musical beat in a nonhuman animal.

              The tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot tapping, or dance) is a human universal [1] yet is not commonly observed in other species [2]. Does this ability reflect a brain specialization for music cognition, or does it build on neural circuitry that ordinarily serves other functions? According to the "vocal learning and rhythmic synchronization" hypothesis [3], entrainment to a musical beat relies on the neural circuitry for complex vocal learning, an ability that requires a tight link between auditory and motor circuits in the brain [4, 5]. This hypothesis predicts that only vocal learning species (such as humans and some birds, cetaceans, and pinnipeds, but not nonhuman primates) are capable of synchronizing movements to a musical beat. Here we report experimental evidence for synchronization to a beat in a sulphur-crested cockatoo (Cacatua galerita eleonora). By manipulating the tempo of a musical excerpt across a wide range, we show that the animal spontaneously adjusts the tempo of its rhythmic movements to stay synchronized with the beat. These findings indicate that synchronization to a musical beat is not uniquely human and suggest that animal models can provide insights into the neurobiology and evolution of human music [6].
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                Author and article information

                Journal
                Proc Natl Acad Sci U S A
                Proc. Natl. Acad. Sci. U.S.A
                pnas
                pnas
                PNAS
                Proceedings of the National Academy of Sciences of the United States of America
                National Academy of Sciences
                0027-8424
                1091-6490
                14 January 2020
                23 December 2019
                23 December 2019
                : 117
                : 2
                : 936-942
                Affiliations
                [1] aCenter for International Collaboration and Advanced Studies in Primatology, Primate Research Institute, Kyoto University , Inuyama, 484-8506 Aichi, Japan;
                [2] bLanguage and Intelligence Section, Primate Research Institute, Kyoto University , Inuyama, 484-8506 Aichi, Japan
                Author notes
                1To whom correspondence may be addressed. Email: yuko.hattori@ 123456gmail.com .

                Edited by Dale Purves, Duke University, Durham, NC, and approved November 11, 2019 (received for review June 17, 2019)

                Author contributions: Y.H. and M.T. designed research; Y.H. performed research; Y.H. contributed new reagents/analytic tools; Y.H. analyzed data; and Y.H. wrote the paper.

                Author information
                http://orcid.org/0000-0001-9509-3550
                Article
                201910318
                10.1073/pnas.1910318116
                6969502
                31871195
                47db6250-336f-4863-b1ec-2a60a5a7ce89
                Copyright © 2020 the Author(s). Published by PNAS.

                This open access article is distributed under Creative Commons Attribution-NonCommercial-NoDerivatives License 4.0 (CC BY-NC-ND).

                History
                Page count
                Pages: 7
                Funding
                Funded by: MEXT | Japan Society for the Promotion of Science (JSPS) 501100001691
                Award ID: 17K18699
                Award Recipient : Yuko Hattori Award Recipient : Masaki Tomonaga
                Funded by: MEXT | Japan Society for the Promotion of Science (JSPS) 501100001691
                Award ID: 26730074
                Award Recipient : Yuko Hattori Award Recipient : Masaki Tomonaga
                Funded by: MEXT | Japan Society for the Promotion of Science (JSPS) 501100001691
                Award ID: 24700260
                Award Recipient : Yuko Hattori Award Recipient : Masaki Tomonaga
                Funded by: MEXT | Japan Society for the Promotion of Science (JSPS) 501100001691
                Award ID: 23220006
                Award Recipient : Yuko Hattori Award Recipient : Masaki Tomonaga
                Categories
                Social Sciences
                Psychological and Cognitive Sciences

                rhythmic movement,chimpanzees,evolution,music,dance
                rhythmic movement, chimpanzees, evolution, music, dance

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