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      Anatomía animal. Técnicas digitales para la reconstrucción escultórica de la apariencia original de un modelo de cera del siglo XIX Translated title: Animal Anatomy. Digital Techniques for the Sculptural Reconstruction of the Original Appearance of a Wax Model of the 19th Century

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          Abstract

          Resumen Para esta INVESTIGACIÓN se ha empleado una combinación de fotogrametría, modelado digital e impresión 3D como apoyo para la puesta en valor de un modelo anatómico animal, escultura de bulto redondo creada en el siglo XIX, perteneciente al Museo Veterinario Complutense, Universidad Complutense de Madrid (UCM) (España), cuya integridad original estaba comprometida como consecuencia de la amputación completa de su cabeza. La ausencia de fragmentos originales y la inexistencia de fuentes documentales, visuales o escritas que justificasen una anastilosis, llevó a plantear una solución alternativa en la que primara el respeto al original como “ruina”, a la vez que contribuyera a una mejor comprensión de sus valores funcionales perdidos. Gracias a la metodología utilizada, se minimizó la manipulación de la obra y fue innecesaria la aplicación de sustancias químicas durante la fase de registro. El modelo digital elaborado se ha compartido a través de internet, lo que contribuye a su difusión.

          Translated abstract

          Abstract A combination of photogrammetry, digital modeling, and 3D printing was used as support for this RESEARCH to enhance an anatomical animal model, round bulge structure from the 19th century, belonging to the Complutense Veterinary Museum, Universidad Complutense de Madrid (UCM) (Spain), whose original integrity was compromised as consequence of the complete removal of its head. The absence of original fragments and the inexistence of documentary, visual, or written sources that justified an anastylosis led to posing an alternative solution in which respect for the original as a “ruin” prevailed, and in turn contributed to a better understanding of its lost functional values. Thanks to the methodology used, the manipulation of the work was minimized and the application of chemical substances during the registry phase was unnecessary. The digital model developed has been shared through internet, which contributes to its dissemination.

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          Innovative uses of 3D digital technologies to assist the restoration of a fragmented terracotta statue

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            3D Virtual Reconstruction and Augmented Reality Visualization of Damaged Stone Sculptures

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              3d printing technologies: are their materials safe for conservation treatments?

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                Author and article information

                Journal
                inter
                Intervención (México DF)
                Intervención (Méx. DF)
                Instituto Nacional de Antropología e Historia, Escuela Nacional de Conservación, Restauración y Museografía (México, Distrito Federal, Mexico )
                2007-249X
                June 2019
                : 10
                : 19
                : 64-76
                Affiliations
                [1] Madrid orgnameUniversidad Complutense de Madrid orgdiv1Departamento de Diseño e Imagen Spain oscarhernandez@ 123456ucm.es
                [3] Madrid orgnameUniversidad Complutense de Madrid orgdiv1Departamento de Escultura y Formación Artística Spain parismat@ 123456ucm.es
                [2] Madrid orgnameUniversidad Complutense de Madrid orgdiv1Departamento de Pintura y Conservación-Restauración Spain alicisan@ 123456ucm.es
                Article
                S2007-249X2019000100064 S2007-249X(19)01001900064
                10.30763/intervencion.2019.19.209
                51b4c655-9753-4f87-a8ce-66239bf01432

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

                History
                : 13 March 2018
                : 15 October 2018
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 30, Pages: 13
                Product

                SciELO Mexico

                Categories
                Investigación

                wax sculpture,photogrammetry,digital techniques,3D printing,preservation,19th century,ceroplástica,fotogrametría,técnicas digitales,impresión 3D,conservación,siglo XIX

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