From Space to Interface: Augmented Reality, a Model for Participation

Interaction with one’s peers and the sharing of experience is a powerful means of generating meaning and creating lasting impression. This paper focuses upon the conceptual and practical development of a participatory artwork that utilises Augmented Reality technology. Using AR as the medium, the aim is to create a generative and interactive artwork that facilitates participation and viewer collaboration. Thereby, one can offer an alternative to the recognised digital interactives that proliferate within both the art and heritage sectors and seeking to use this model as a means to promote interpersonal and social interaction.

Content

Author and article information

Contributors

Liam Noah Jefferies

Conference

Publication date: July 2015

Publication date (Print): July 2015

Pages: 222-226

Affiliations

[0001]Digital Culture Research Centre

University of the West of England

UK

Article

DOI: 10.14236/ewic/eva2015.22

SO-VID: 53867125-d569-4436-a13b-d82b056501f4

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2015)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 7 & 9 July 2015

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.22

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

J. H FalkL. D Dierking 1997 The Museum Experience Whalesback Books Washington
S. A Griggs 1990 Perceptions of Traditional and New Style Exhibitions at The Natural History Museum London ILVS Review: A Journal of Visitor Behavior 1 2 78 90
B Gammon 2008 Seven more lessons learnt in interactive exhibit development the Museum Association Conference: Senses working overtime 22 26 London
C HeathD Vom Lehn 2010 Interactivity and Collaboration: new forms of participation in museums, galleries and science centres R Parry Museums in a Digital Age Routledge London
C HeathD Vom LehnJ Osborne 2005 Interaction and interactives: collaboration and participation with computer-based exhibits Public Understanding of Science 14 91 101 Sage London
G. E Hein 1998 Learning in the Museum Assessment 47 203 Routledge New York
E Huhtamo 2010 On the Origins of the Virtual Museum R Parry Museums in a Digital Age Routledge London
C Parkin 2014 Chris Milk: The digital artist making music videos fly into the future The Guardian 30 18 June
R PatelD Tuck 2014 Narrative approaches to design multi screen augmented reality experiences EVA 2014 Electronic Visualisation and the Arts 237 243 British Computer Society London
A Tsoroni 2009 ‘Technology Fatigue in Digital Interactive Exhibitions’ in Engage 24p27 32

Comments

Comment on this article

[1] J. H FalkL. D Dierking 1997 The Museum Experience Whalesback Books Washington

[2] S. A Griggs 1990 Perceptions of Traditional and New Style Exhibitions at The Natural History Museum London ILVS Review: A Journal of Visitor Behavior 1 2 78 90

[3] B Gammon 2008 Seven more lessons learnt in interactive exhibit development the Museum Association Conference: Senses working overtime 22 26 London

[4] C HeathD Vom Lehn 2010 Interactivity and Collaboration: new forms of participation in museums, galleries and science centres R Parry Museums in a Digital Age Routledge London

[5] C HeathD Vom LehnJ Osborne 2005 Interaction and interactives: collaboration and participation with computer-based exhibits Public Understanding of Science 14 91 101 Sage London

[6] G. E Hein 1998 Learning in the Museum Assessment 47 203 Routledge New York

[7] E Huhtamo 2010 On the Origins of the Virtual Museum R Parry Museums in a Digital Age Routledge London

[8] C Parkin 2014 Chris Milk: The digital artist making music videos fly into the future The Guardian 30 18 June

[9] R PatelD Tuck 2014 Narrative approaches to design multi screen augmented reality experiences EVA 2014 Electronic Visualisation and the Arts 237 243 British Computer Society London

[10] A Tsoroni 2009 ‘Technology Fatigue in Digital Interactive Exhibitions’ in Engage 24p27 32

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