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      Unraveling the Locks of Wigs: A Historical Analysis

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      , 1
      International Journal of Trichology
      Wolters Kluwer - Medknow

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          Abstract

          Sir, A wig is a covering of artificial hair for the head made from synthetic or natural hair. Currently, in dermatology, wigs are used to help minimize the psychological consequences of hair loss in patients. Throughout history, wigs have often had a deep-seated cultural and societal value with correlations to wealth and positions of power. The word “wig” itself derives from the term “periwig,”[1] which was first used in the English language in 1675 by William Shakespeare in his famous play, The Two Gentlemen of Verona. In an emotional outburst, the character of Julia looks at a picture of her love rival and exclaims, “Her hair is auburn, mine is perfect yellow: If that be all the difference in his love, I'll get me such a colour'd periwig” (Act IV, Scene IV).[2] The art of wig-making can be dated back to Ancient Egypt.[1] The earliest specimen was found in a female burial at Hierakonpolis dating from c.3400 BC. Predominantly worn by the elite of Egyptian society, wigs served a dual purpose: they signaled high rank in Egypt's strict social hierarchy and helped protect shaven scalps (a sign of nobility) from the sun. Wigs also helped maintain hygiene levels by reducing the incidence of head lice. The establishment of the Roman Empire (c.27 BC) reignited this trend and elaborate wigs became a fashion accessory for wealthy women. Baldness was seen as unattractive in men and so many opted to attach hairpieces onto their scalps.[3] Other ancient cultures that used wigs include Phoenicians, Assyrians, and the Greeks. Historical records show that wigs fell into abeyance for several centuries after the fall of the Roman Empire in the 5thcentury. There was a resurgence during the 16thcentury in Old Regime Europe. The trend of wigs was popularized by French and English royalty, notably Queen Elizabeth I (1533–1603) and the French courts of Louis XIII (1601–1643) and Louis XIV (1638–1715).[4] Queen Elizabeth herself was reported to own no <80 wigs. The Restoration of King Charles II (1630–1685) from the French Court in 1660 further ignited the trend in Britain and wigs quickly became an aristocratic ornament for the upper-class households of both nations. In France, the rate of emerging master wigmakers outpaced population growth during the 18thcentury – “there is no neighbourhood (in Paris) where one does not find many of them.”[5] Later, fashions in the 1700s included powdered wigs, or “perukes,” with affluent households even demanding their coachmen and butlers wear them. Many would shave their heads to make wigs more comfortable. By the 19thcentury, men had completely ceased wearing wigs, preferring natural and shorter hairstyles. Although wigs have seen a revival in the modern day, they no longer carry a weight in social hierarchy. Types of wigs commonly used today include those for fun and dress-up, legal wigs, and finally wigs to cover hair loss. Conditions such as alopecia areata, androgenic alopecia, and scarring alopecia can inflict a devastating impact on a person's psychological well-being; therefore, wigs can help patients cope with the emotional distress of hair loss; they are a minimally intrusive and cheap alternative to other hair loss therapies. Financial support and sponsorship Nil. Conflicts for interest There are no conflicts for interest.

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          Big Hair: A Wig History of Consumption in Eighteenth-Century France

          M. Kwass (2006)
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            Wigs and hairpieces: evaluating dermatologic issues.

            Hair is an important feature of self-image, and hair loss can have a devastating impact on a person's pychological well-being. In recent years, there has been an explosion of research in the understanding of various hair disorders, but unfortunately there has not been a major breakthrough and not much has changed in terms of therapeutic options available to patients with extensive hair loss. As professionals, we need to understand the social significance of hair in relation to a person's outward presentation and social interactions. We must minimize the distress alopecia can cause by providing up-to-date information to enable them to prepare for and minimize the psychological consequences of hair loss.
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              The Two Gentlemen of Verona. Act IV. Scene IV. William Shakespeare 1914

              (2019)
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                Author and article information

                Journal
                Int J Trichology
                Int J Trichology
                IJT
                International Journal of Trichology
                Wolters Kluwer - Medknow (India )
                0974-7753
                0974-9241
                Jul-Aug 2019
                : 11
                : 4
                : 177-178
                Affiliations
                [1]School of Medicine, Cardiff University, Cardiff, Wrexham, UK
                [1 ]Department of Dermatology, Wrexham Maelor Hospital, Wrexham, UK
                Author notes
                Address for correspondence: Miss. Yakeen Hafouda, School of Medicine, UHW Main Building, Heath Park, Cardiff, CF14 4XN, UK. E-mail: hafoudaya@ 123456cardiff.ac.uk
                Article
                IJT-11-177
                10.4103/ijt.ijt_68_19
                6706986
                5b74fad8-fdeb-4800-8e70-01b14316a2c3
                Copyright: © 2019 International Journal of Trichology

                This is an open access journal, and articles are distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 License, which allows others to remix, tweak, and build upon the work non-commercially, as long as appropriate credit is given and the new creations are licensed under the identical terms.

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                Dermatology

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