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      Cine y semiótica transdiscursiva. El cine digital en la era de las multipantallas: un nuevo entorno, un nuevo espectador Translated title: Cinema and transdiscursive semiotics. Digital cinema in the multiscreen era: a new environment, a new spectator

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          Abstract

          Resumen En los últimos años se ha venido configurando un entorno cinematográfico nuevo, donde el acto de ver una película en sala, se había ya articulado como un elemento comercial menor dentro de la industria cinematográfica. Pero esa tendencia, con la llegada de la COVID-19 y la prohibición de acudir a salas comerciales, se vio acelerada generando el nuevo cine de las multipantallas, que ha introducido cambios que no serán ya reversibles. Esto nos puede llevar a plantearnos si estamos aún hablando de cine, en el sentido que se le ha dado desde su invención.

          Translated abstract

          Abstract In recent years, a new cinematic environment has been taking shape, where the act of watching a film in a cinema had already been articulated as a minor commercial element within the film industry. But this trend, with the arrival of COVID-19 and the ban on commercial cinemas, was accelerated, generating the new multi-screen cinema: which has dominated the international scene in 2020, the first quarter of 2021, and which has introduced changes that will no longer be reversible. This may lead us to question whether we are still talking about cinema, in the sense it has been given since its invention.

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          Most cited references59

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          Nonverbal Overload: A Theoretical Argument for the Causes of Zoom Fatigue

          For decades, scholars have predicted that videoconference technology will disrupt the practice of commuting daily to and from work and will change the way people socialize. In 2020, the Covid-19 pandemic forced a drastic increase in the number of videoconference meetings, and Zoom became the leading software package because it was free, robust, and easy to use. While the software has been an essential tool for productivity, learning, and social interaction, something about being on videoconference all day seems particularly exhausting, and the term “Zoom Fatigue” caught on quickly. In this article, I focus on nonverbal overload as a potential cause for fatigue and provide four arguments outlining how various aspects of the current Zoom interface likely lead to psychological consequences. The arguments are based on academic theory and research, but also have yet to be directly tested in the context of Zoom, and require future experimentation to confirm. Instead of indicting the medium, my goal is to point out these design flaws to isolate research areas for social scientists and to suggest design improvements for technologists.
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            Diccionario de la lengua española

            (2020)
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              Los géneros cinematográficos

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                Author and article information

                Journal
                comso
                Comunicación y sociedad
                Comun. soc
                Universidad de Guadalajara, Departamento de Estudios de la Comunicación Social (Guadalajara, Jalisco, Mexico )
                0188-252X
                2021
                : 18
                : e7886
                Affiliations
                [1] Andalucía orgnameUniversidad de Sevilla Spain mblancoperez@ 123456us.es
                Article
                S0188-252X2021000100205 S0188-252X(21)01800000205
                10.32870/cys.v2021.7886
                5bdcfa50-781e-4e0d-bb3f-a7ce65edd1b4

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

                History
                : 14 July 2020
                : 16 February 2021
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 59, Pages: 0
                Product

                SciELO Mexico

                Categories
                Comunicación y semiótica

                COVID-19,multiscreen,Netflix,cinema,Transdiscursive semiotics,multipantalla,cine,Semiótica transdiscursiva

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