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      Embodied Listening: Exceeding the Restrictions of Visual Perception

      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)

      Media Art, Science, and Technology

      August 20-23, 2019

      Sound, Listening, Moving image, Video, Fieldwork, Landscape, Performative, Gesture, Technology, Media

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          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          In an effort to move beyond representational modes of seeing and knowing, in this paper I explore how movement activates listening, and so expands the act of seeing through a process of embodiment and practice. Drawing on fieldwork undertaken for the production of the moving image work 'Between Two Suns', the aim of this paper is to articulate an idea of expanded forms of production that generate performative collaborations and improvisations beyond the camera frame. Through examining the methodological processes undertaken during fieldwork, this paper considers listening as a sensory experience of place that requires movement as a way to relate to other bodies. It contends that through the affective properties of sonic communication, we are able to engage in the world with a perspective that exceeds the restrictions of visual perception; demonstrating how sound draws attention to the entanglements of human and more-than-human forms of life through both movement and gesture. Listening is a form of sonic cognition and it produces a mode of knowledge that is both temporal and ephemeral, through a sensory reading with the world (Voegelin 2014). In this paper, I consider the influence of listening on looking as an embodied experience that requires creative gestures of movement as a way to make contact with otherwise unseen actions and ecologies within environments. By recounting the experiences of practice and process, I will illustrate how listening and performative movement open up a field of possibilities by destabilising the role of the observer through a connection to a larger world.

          Voegelin, S 2014, Listening to silence and noise: towards a philosophy of sound art, Bloomsbury, London

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          Most cited references 5

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          The temporality of landscape

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            Wondering the World Directly – or, How Movement Outruns the Subject

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              An emotional cartography of resonance

               Karla Berrens (2016)
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                Author and article information

                Contributors
                Conference
                August 2019
                August 2019
                : 76-82
                Affiliations
                Masters of Media

                School of Media and Communication

                RMIT University

                125 Latrobe Street

                Melbourne, 3000

                Australia
                Article
                10.14236/ewic/RESOUND19.12
                © Stanton. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
                RE:SOUND 2019
                8
                Aalborg, Denmark
                August 20-23, 2019
                Electronic Workshops in Computing (eWiC)
                Media Art, Science, and Technology
                Product
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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