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      What Color Is Your Anger? Assessing Color-Emotion Pairings in English Speakers

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          Abstract

          Do English-speakers think about anger as “red” and sadness as “blue”? Some theories of emotion suggests that color(s)—like other biologically-derived signals- should be reliably paired with an emotion, and that colors should differentiate across emotions. We assessed consistency and specificity for color-emotion pairings among English-speaking adults. In study 1, participants ( n = 73) completed an online survey in which they could select up to three colors from 23 colored swatches (varying hue, saturation, and light) for each of ten emotion words. In study 2, different participants ( n = 52) completed a similar online survey except that we added additional emotions and colors (which better sampled color space). Participants in both studies indicated the strength of the relationship between a selected color(s) and the emotion. In study 1, four of the ten emotions showed consistency, and about one-third of the colors showed specificity, yet agreement was low-to-moderate among raters even in these cases. When we resampled our data, however, none of these effects were likely to replicate with statistical confidence. In study 2, only two of 20 emotions showed consistency, and three colors showed specificity. As with the first study, no color-emotion pairings were both specific and consistent. In addition, in study 2, we found that saturation and lightness, and to a lesser extent hue, predicted color-emotion agreement rather than perceived color. The results suggest that previous studies which report emotion-color pairings are likely best thought of experiment-specific. The results are discussed with respect to constructionist theories of emotion.

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          Most cited references67

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          Facial expression and emotion.

          P Ekman (1993)
          Cross-cultural research on facial expression and the developments of methods to measure facial expression are briefly summarized. What has been learned about emotion from this work on the face is then elucidated. Four questions about facial expression and emotion are discussed: What information does an expression typically convey? Can there be emotion without facial expression? Can there be a facial expression of emotion without emotion? How do individuals differ in their facial expressions of emotion?
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            Are there basic emotions?

            Paul Ekman (1992)
            Ortony and Turner's (1990) arguments against those who adopt the view that there are basic emotions are challenged. The evidence on universals in expression and in physiology strongly suggests that there is a biological basis to the emotions that have been studied. Ortony and Turner's reviews of this literature are faulted, and their alternative theoretical explanations do not fit the evidence. The utility of the basic emotions approach is also shown in terms of the research it has generated.
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              Are Emotions Natural Kinds?

              Laypeople and scientists alike believe that they know anger, or sadness, or fear, when they see it. These emotions and a few others are presumed to have specific causal mechanisms in the brain and properties that are observable (on the face, in the voice, in the body, or in experience)-that is, they are assumed to be natural kinds. If a given emotion is a natural kind and can be identified objectively, then it is possible to make discoveries about that emotion. Indeed, the scientific study of emotion is founded on this assumption. In this article, I review the accumulating empirical evidence that is inconsistent with the view that there are kinds of emotion with boundaries that are carved in nature. I then consider what moving beyond a natural-kind view might mean for the scientific understanding of emotion.
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                Author and article information

                Contributors
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                26 February 2019
                2019
                : 10
                : 206
                Affiliations
                Psychology, University of Massachusetts Dartmouth , Dartmouth, MA, United States
                Author notes

                Edited by: Anna M. Borghi, Sapienza University of Rome, Italy

                Reviewed by: Adrian Von Muhlenen, University of Warwick, United Kingdom; Lucia Riggio, University of Parma, Italy

                *Correspondence: Jennifer Marie Binzak Fugate jfugate@ 123456umassd.edu

                This article was submitted to Cognition, a section of the journal Frontiers in Psychology

                Article
                10.3389/fpsyg.2019.00206
                6399154
                30713512
                68a7da11-9380-456c-a1d3-15b9d5a5d3ad
                Copyright © 2019 Fugate and Franco.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 13 August 2018
                : 21 January 2019
                Page count
                Figures: 4, Tables: 3, Equations: 0, References: 79, Pages: 17, Words: 12606
                Categories
                Psychology
                Original Research

                Clinical Psychology & Psychiatry
                color,emotion,color-emotion pairings,theories of emotion,data resampling

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