Blog
About

299
views
0
recommends
+1 Recommend
1 collections
    9
    shares
      • Record: found
      • Abstract: found
      • Article: found
      Is Open Access

      Digital Art, Culture and Heritage: New constructs and consciousness

      , , , ,

      Proceedings of EVA London 2019 (EVA 2019)

      Electronic Visualisation and the Arts

      8 - 11 July 2019

      Computational culture, AI art, Digital aesthetics, Digital art, Digital culture, Digital heritage, Digitalism, Postdigital

      Read this article at

      Bookmark
          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          This half-day Symposium explores themes of digital art, culture, and heritage, bringing together speakers from a range of disciplines to consider technology with respect to artistic and academic practice. As we increasingly see ourselves and life through a digital lens and the world communicated on digital screens, we experience altered states of being and consciousness in ways that blur the lines between digital and physical reality, while our ways of thinking and seeing become a digital stream of consciousness that flows between place and cyberspace. We have entered the postdigital world and are living, working, and thinking with machines as our computational culture driven by artificial intelligence and machine learning embeds itself in everyday life and threads across art, culture, and heritage, juxtaposing them in the digital profusion of human creativity on the Internet.

          Related collections

          Most cited references 34

          • Record: found
          • Abstract: found
          • Article: found
          Is Open Access

          Digitalism: The New Realism?

            Bookmark
            • Record: found
            • Abstract: not found
            • Article: not found

            High-dimensional data analysis: The curses and blessings of dimensionality

              Bookmark
              • Record: found
              • Abstract: found
              • Article: found
              Is Open Access

              Curating Digital Life and Culture: Art and information

              The space between digital life and real life continues to fade and nowhere is this more apparent than in arts and cultural contexts. Facilitated by digital capture and curation, social media, the network, Internet, and the web, these forces combine to empower artists to be digital curators of their own work, giving voice and narration to their artistic expression. In the paper entitled Digitalism: the New Realism, the authors focus on how digital tools and technology have changed ways of doing, knowing, and being, while here we look at how today’s digital landscape is changing ways of artistic expression, narration, communication, and human interaction. The growing use of digital tools and technology in the arts and culture is dramatically transforming traditional curatorial practice and by extension archival practice, so that we are moving from a gatekeeping model to an open model steeped in digital relationships across global networks and the Internet. As we immerse ourselves in the digital world, where anyone with a smartphone can be a digital curator and marshal a range of Internet services, such as Instagram, Pinterest, Twitter, Facebook, YouTube, and more specifically for example Behance (for online portfolios), artists are enabled to freely engage and interact with their audience using to their advantage crowdsourcing, “likes”, chat, blogs, games and email. Emerging artists are particularly expert digitally and are able to curate their life and work directly, living naturally between physical and digital states. To demonstrate this, our study presents specific examples of how artists and GLAM (Galleries, Libraries, Archives, and Museum) institutions are adapting to new digital ways of curating collections and conveying meaning. Additionally, we show how notions of what constitutes artistic expression are evolving as art traverses digital media boundaries, especially in terms of visual and textual media. Importantly, as life in the 21st century plays out on the digital stage of the Internet, artists and GLAM institutions find themselves more than ever working at the intersection of art and information which is leading to new and innovative ways of curating contemporary art that are expressive of artistic vision and digital aesthetics, while conveying social and political meaning capable of influencing and impacting our lives.
                Bookmark

                Author and article information

                Contributors
                http://www.jpbowen.com
                http://www.2ra.co
                Conference
                July 2019
                July 2019
                : 1-9
                Affiliations
                London South Bank University

                School of Engineering

                London SE1 0AA, UK
                Pratt Institute

                School of Information

                New York, NY 10011, USA
                Thames-Side Studios

                Harrington Way, Woolwich

                London SE18 5NR, UK
                Goldsmiths, University of London

                Department of Computing

                London SE14 6NW, UK
                Bodleian Libraries

                University of Oxford

                Oxford OX1 3BG

                UK
                Article
                10.14236/ewic/EVA2019.1
                © Bowen et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2019, UK

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Proceedings of EVA London 2019
                EVA 2019
                London, UK
                8 - 11 July 2019
                Electronic Workshops in Computing (eWiC)
                Electronic Visualisation and the Arts
                Product
                Product Information: 1477-9358 BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

                Comments

                Comment on this article