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      Pitch Discrimination in Musicians and Non-Musicians: Effects of Harmonic Resolvability and Processing Effort

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          Abstract

          Musicians typically show enhanced pitch discrimination abilities compared to non-musicians. The present study investigated this perceptual enhancement behaviorally and objectively for resolved and unresolved complex tones to clarify whether the enhanced performance in musicians can be ascribed to increased peripheral frequency selectivity and/or to a different processing effort in performing the task. In a first experiment, pitch discrimination thresholds were obtained for harmonic complex tones with fundamental frequencies (F0s) between 100 and 500 Hz, filtered in either a low- or a high-frequency region, leading to variations in the resolvability of audible harmonics. The results showed that pitch discrimination performance in musicians was enhanced for resolved and unresolved complexes to a similar extent. Additionally, the harmonics became resolved at a similar F0 in musicians and non-musicians, suggesting similar peripheral frequency selectivity in the two groups of listeners. In a follow-up experiment, listeners’ pupil dilations were measured as an indicator of the required effort in performing the same pitch discrimination task for conditions of varying resolvability and task difficulty. Pupillometry responses indicated a lower processing effort in the musicians versus the non-musicians, although the processing demand imposed by the pitch discrimination task was individually adjusted according to the behavioral thresholds. Overall, these findings indicate that the enhanced pitch discrimination abilities in musicians are unlikely to be related to higher peripheral frequency selectivity and may suggest an enhanced pitch representation at more central stages of the auditory system in musically trained listeners.

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          Most cited references16

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          Task-evoked pupillary responses, processing load, and the structure of processing resources.

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            Simple adaptive testing with the weighted up-down method.

            This paper proposes a method for adaptive testing that is less complicated than the commonly used transformed up-down methods (1 up 2 down, 1 up 3 down, etc.). In addition, the weighted up-down method can converge to any desired point of the psychometric function. The rule is very simple: Each correct response leads to a decrease in signal level, each incorrect response to an increase. The only difference from the simple up-down method (1 up 1 down) is that the steps upward and the steps downward are of a different size. The straightforward construction of the novel procedure pays off in efficiency and stability: A Monte Carlo simulation reveals a definite advantage, though small, of the weighted up-down method over the 1-up-2-down rule.
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              Musical experience limits the degradative effects of background noise on the neural processing of sound.

              Musicians have lifelong experience parsing melodies from background harmonies, which can be considered a process analogous to speech perception in noise. To investigate the effect of musical experience on the neural representation of speech-in-noise, we compared subcortical neurophysiological responses to speech in quiet and noise in a group of highly trained musicians and nonmusician controls. Musicians were found to have a more robust subcortical representation of the acoustic stimulus in the presence of noise. Specifically, musicians demonstrated faster neural timing, enhanced representation of speech harmonics, and less degraded response morphology in noise. Neural measures were associated with better behavioral performance on the Hearing in Noise Test (HINT) for which musicians outperformed the nonmusician controls. These findings suggest that musical experience limits the negative effects of competing background noise, thereby providing the first biological evidence for musicians' perceptual advantage for speech-in-noise.
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                Author and article information

                Contributors
                +45 60896330 , fbia@elektro.dtu.dk
                Journal
                J Assoc Res Otolaryngol
                J. Assoc. Res. Otolaryngol
                JARO: Journal of the Association for Research in Otolaryngology
                Springer US (New York )
                1525-3961
                1438-7573
                4 December 2015
                4 December 2015
                February 2016
                : 17
                : 1
                : 69-79
                Affiliations
                Hearing Systems group, Technical University of Denmark, Ørsteds Plads Building 352, 2800 Kongens Lyngby, Denmark
                Article
                548
                10.1007/s10162-015-0548-2
                4722018
                26637239
                6d1b61d9-2e00-462f-8879-54b08cba1c75
                © The Author(s) 2015

                Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.

                History
                : 10 July 2015
                : 11 November 2015
                Funding
                Funded by: FundRef http://dx.doi.org/10.13039/501100005192, Danmarks Tekniske Universitet (DK);
                Categories
                Research Article
                Custom metadata
                © Association for Research in Otolaryngology 2016

                Otolaryngology
                pitch discrimination,resolved complex tones,unresolved complex tones,musicians,pupillometry,processing effort

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