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      The Poetic and the Thoughtful: The Creative Poiesis of Algorithmic Art and Design

      Electronic Visualisation and the Arts (EVA 2014) (EVA)

      Electronic Visualisation and the Arts (EVA 2014)

      8 - 10 July 2014

      Generative art, Selection, Poiesis, Creativity

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          Abstract

          Free subjective choices and selections form an inevitable part of the practice of algorithmic based design and art works. Notably, this aspect of decisions made by practitioners has featured in generative art and design literature, yet, has remained obscure and has not been critically discussed. In this paper I will examine artists’ and designers’ selections through three case studies representing different typologies of decision processes. The philosophical aspect of these decisions will be elaborated following Wittgenstein’s paradox and the critical argument made by philosophers Jacques Bouveresse and Charles Taylor in that no rule, no matter how explicit and unambivalent can ever really determine its own application. The actual implementation of rule systems, therefore, is a practice in itself, one that entails finely tuned interpretations, as well as arbitrary and intuitive choices.

          Finally, I will argue that this relates to what Heidegger later observed to be the original meaning of creative making, referring to the Greek word ‘Poiesis’, where the thoughtful aspect of the work and the poetic one are united in a non-separated praxis. Similar to the practice made by oulipo poets who use rule systems to enhance the creative engine of their work, I will argue that these decisions can potentially transform the practice of generative art and design to that of Poiesis in its original meaning: the free play and improvised confrontations with ever renewed unfolding situations, that eventually can lead to liberation from the rules themselves.

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          Author and article information

          Contributors
          Conference
          July 2014
          July 2014
          : 30-35
          Affiliations
          University College London

          Gower St, London WC1E 6BT, U.K.
          Article
          10.14236/ewic/EVA2014.6
          © Iris Asaf. Published by BCS Learning and Development Ltd. Electronic Visualisation and the Arts (EVA 2014), London, UK

          This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

          Electronic Visualisation and the Arts (EVA 2014)
          EVA
          London, UK
          8 - 10 July 2014
          Electronic Workshops in Computing (eWiC)
          Electronic Visualisation and the Arts (EVA 2014)
          Product
          Product Information: 1477-9358BCS Learning & Development
          Self URI (journal page): https://ewic.bcs.org/
          Categories
          Electronic Workshops in Computing

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