The paper provides a personal view of the implications of computational concepts and technologies on art practice. It draws upon 40 years of such practice by the author. As the title implies, the paper concentrates on the themes of structure within the artwork, time-based art, correspondences between different media that the computer enables, and interaction with the audience. The paper draws a line from Malevich to present day art employing computation.
Content
Author and article information
Contributors
Ernest Edmonds
Conference
Publication date:
July
2009
Publication date
(Print):
July
2009
Pages: 107-116
Affiliations
[0001]Creativity and Cognition Studios
University of Technology, Sydney
POBox 123 Broadway
NSW 2007
Australia
http://www.ernestedmonds.com