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      The Rise of Periodical Studies

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          Abstract

          Within or alongside the larger field of print culture, a new area for scholarship is emerging in the humanities and the more humanistic social sciences: periodical studies. This development is being driven by the cultural turn in departments of language and literature, by the development of digital archives that allow for such studies on a broader scale than ever before, and by what the producers of the Spectator Project have called “the special capabilities of the digital environment” (Center). Literary and historical disciplines engaged with the study of modern culture are finding in periodicals both a new resource and a pressing challenge to existing paradigms for the investigation of Enlightenment, nineteenth-century, and modern cultures. The forms of this new engagement range from Cary Nelson's suggestion, in Repression and Recovery, that periodicals should be read as texts that have a unity different from but comparable with that of individual books (219) to the organization of groups like the Research Society for Victorian Periodicals, founded in 1968, and the more recently established Research Society for American Periodicals. Every year new books are appearing that emphasize peri–odicals and investigate the ways in which modern literature and the arts are connected to the culture of commerce and advertising and to the social, political, and scientific issues of the time.

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          Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910–1945

          Nelson (1989)
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            The textual condition

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              The Anthology and the Rise of the Novel : From Richardson to George Eliot

              Leah Price (2009)
              The Anthology and the Rise of the Novel, first published in 2000, brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of 'the rise of the novel'. Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers designed their books for women while Victorian publishers marketed them to men, and how editors' reproduction of old texts has shaped authors' production of new ones. This innovative study will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms.
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                Author and article information

                Journal
                PMLA/Publications of the Modern Language Association of America
                Publ. Mod. Lang. Assoc. Am.
                Modern Language Association (MLA)
                0030-8129
                1938-1530
                March 2006
                October 23 2020
                March 2006
                : 121
                : 2
                : 517-531
                Article
                10.1632/003081206X129693
                97821405-b421-460d-9ec5-65a21047eb9c
                © 2006

                https://www.cambridge.org/core/terms

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