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      Changes in the representation of space and time while listening to music

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          Abstract

          Music is known to alter people's ordinary experience of space and time. Not only does this challenge the concept of invariant space and time tacitly assumed in psychology but it may also help us understand how music works and how music can be understood as an embodied experience. Yet research about these alterations is in its infancy. This review is intended to delineate a future research agenda. We review experimental evidence and subjective reports of the influence of music on the representation of space and time and present prominent approaches to explaining these effects. We discuss the role of absorption and altered states of consciousness and their associated changes in attention and neurophysiological processes, as well as prominent models of human time processing and time experience. After integrating the reviewed research, we conclude that research on the influence of music on the representation of space and time is still quite inconclusive but that integrating the different approaches could lead to a better understanding of the observed effects. We also provide a working model that integrates a large part of the evidence and theories. Several suggestions for further research in both music psychology and cognitive psychology are outlined.

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          Most cited references73

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          What makes us tick? Functional and neural mechanisms of interval timing.

          Time is a fundamental dimension of life. It is crucial for decisions about quantity, speed of movement and rate of return, as well as for motor control in walking, speech, playing or appreciating music, and participating in sports. Traditionally, the way in which time is perceived, represented and estimated has been explained using a pacemaker-accumulator model that is not only straightforward, but also surprisingly powerful in explaining behavioural and biological data. However, recent advances have challenged this traditional view. It is now proposed that the brain represents time in a distributed manner and tells the time by detecting the coincidental activation of different neural populations.
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            Time in the mind: using space to think about time.

            How do we construct abstract ideas like justice, mathematics, or time-travel? In this paper we investigate whether mental representations that result from physical experience underlie people's more abstract mental representations, using the domains of space and time as a testbed. People often talk about time using spatial language (e.g., a long vacation, a short concert). Do people also think about time using spatial representations, even when they are not using language? Results of six psychophysical experiments revealed that people are unable to ignore irrelevant spatial information when making judgments about duration, but not the converse. This pattern, which is predicted by the asymmetry between space and time in linguistic metaphors, was demonstrated here in tasks that do not involve any linguistic stimuli or responses. These findings provide evidence that the metaphorical relationship between space and time observed in language also exists in our more basic representations of distance and duration. Results suggest that our mental representations of things we can never see or touch may be built, in part, out of representations of physical experiences in perception and motor action.
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              Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities

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                Author and article information

                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                06 August 2013
                2013
                : 4
                : 508
                Affiliations
                [1] 1Department of Psychology, Chemnitz University of Technology Chemnitz, Germany
                [2] 2Department of Music and Performing Arts, Anglia Ruskin University Cambridge, UK
                Author notes

                Edited by: Adam M. Croom, University of Pennsylvania, USA

                Reviewed by: Adam M. Croom, University of Pennsylvania, USA; Marc Wittmann, Institute for Frontier Areas of Psychology and Mental Health, Germany; Tad Brunye, US Army NSRDEC and Tufts University, USA; Olga V. Sysoeva, Washington University in St Louis School of Medicine, USA

                *Correspondence: Thomas Schäfer, Department of Psychology, Chemnitz University of Technology, 09107 Chemnitz, Germany e-mail: thomas.schaefer@ 123456psychologie.tu-chemnitz.de

                This article was submitted to Frontiers in Theoretical and Philosophical Psychology, a specialty of Frontiers in Psychology.

                Article
                10.3389/fpsyg.2013.00508
                3734375
                23964254
                a4618733-197e-499f-8d23-bbb7e4228baf
                Copyright © 2013 Schäfer, Fachner and Smukalla.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 30 March 2013
                : 17 July 2013
                Page count
                Figures: 1, Tables: 0, Equations: 0, References: 136, Pages: 15, Words: 15178
                Categories
                Psychology
                Review Article

                Clinical Psychology & Psychiatry
                space,time,music,altered states of consciousness,absorption,embodiment

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