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      Syncopation, Body-Movement and Pleasure in Groove Music

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          Abstract

          Moving to music is an essential human pleasure particularly related to musical groove. Structurally, music associated with groove is often characterised by rhythmic complexity in the form of syncopation, frequently observed in musical styles such as funk, hip-hop and electronic dance music. Structural complexity has been related to positive affect in music more broadly, but the function of syncopation in eliciting pleasure and body-movement in groove is unknown. Here we report results from a web-based survey which investigated the relationship between syncopation and ratings of wanting to move and experienced pleasure. Participants heard funk drum-breaks with varying degrees of syncopation and audio entropy, and rated the extent to which the drum-breaks made them want to move and how much pleasure they experienced. While entropy was found to be a poor predictor of wanting to move and pleasure, the results showed that medium degrees of syncopation elicited the most desire to move and the most pleasure, particularly for participants who enjoy dancing to music. Hence, there is an inverted U-shaped relationship between syncopation, body-movement and pleasure, and syncopation seems to be an important structural factor in embodied and affective responses to groove.

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          Most cited references58

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          Embodiment in attitudes, social perception, and emotion.

          Findings in the social psychology literatures on attitudes, social perception, and emotion demonstrate that social information processing involves embodiment, where embodiment refers both to actual bodily states and to simulations of experience in the brain's modality-specific systems for perception, action, and introspection. We show that embodiment underlies social information processing when the perceiver interacts with actual social objects (online cognition) and when the perceiver represents social objects in their absence (offline cognition). Although many empirical demonstrations of social embodiment exist, no particularly compelling account of them has been offered. We propose that theories of embodied cognition, such as the Perceptual Symbol Systems (PSS) account (Barsalou, 1999), explain and integrate these findings, and that they also suggest exciting new directions for research. We compare the PSS account to a variety of related proposals and show how it addresses criticisms that have previously posed problems for the general embodiment approach.
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            Tagging the neuronal entrainment to beat and meter.

            Feeling the beat and meter is fundamental to the experience of music. However, how these periodicities are represented in the brain remains largely unknown. Here, we test whether this function emerges from the entrainment of neurons resonating to the beat and meter. We recorded the electroencephalogram while participants listened to a musical beat and imagined a binary or a ternary meter on this beat (i.e., a march or a waltz). We found that the beat elicits a sustained periodic EEG response tuned to the beat frequency. Most importantly, we found that meter imagery elicits an additional frequency tuned to the corresponding metric interpretation of this beat. These results provide compelling evidence that neural entrainment to beat and meter can be captured directly in the electroencephalogram. More generally, our results suggest that music constitutes a unique context to explore entrainment phenomena in dynamic cognitive processing at the level of neural networks.
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              An exploratory study of musical emotions and psychophysiology.

              A basic issue about musical emotions concerns whether music elicits emotional responses in listeners (the 'emotivist' position) or simply expresses emotions that listeners recognize in the music (the 'cognitivist' position). To address this, psychophysiological measures were recorded while listners heard two excerpts chosen to represent each of three emotions: sad, fear, and happy. The measures covered a fairly wide spectrum of cardiac, vascular, electrodermal, and respiratory functions. Other subjects indicated dynamic changes in emotions they experienced while listening to the music on one of four scales: sad, fear, happy, and tension. Both physiological and emotion judgements were made on a second-by-second basis. The physiological measures all showed a significant effect of music compared to the pre-music interval. A number of analyses, including correlations between physiology and emotion judgments, found significant differences among the excerpts. The sad excerpts produced the largest changes in heart rate, blood pressure, skin conductance and temperature. The fear excerpts produced the largest changes in blood transit time and amplitude. The happy excerpts produced the largest changes in the measures of respiration. These emotion-specific physiological changes only partially replicated those found for nonmusical emotions. The physiological effects of music observed generally support the emotivist view of musical emotions.
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                Author and article information

                Contributors
                Role: Editor
                Journal
                PLoS One
                PLoS ONE
                plos
                plosone
                PLoS ONE
                Public Library of Science (San Francisco, USA )
                1932-6203
                2014
                16 April 2014
                : 9
                : 4
                : e94446
                Affiliations
                [1 ]Faculty of Music, University of Oxford, Oxford, United Kingdom
                [2 ]Department of Psychiatry, Warneford Hospital, University of Oxford, Oxford, United Kingdom
                [3 ]Center of Functionally Integrative Neuroscience, Aarhus University Hospital, Aarhus, Denmark
                [4 ]Center for Semiotics, University of Aarhus, Aarhus, Denmark
                [5 ]The Royal Academy of Music, Aarhus/Aalborg, Denmark
                VU University Amsterdam, Netherlands
                Author notes

                Competing Interests: The authors have declared that no competing interests exist.

                Conceived and designed the experiments: MAGW EFC PV MLK. Performed the experiments: MAGW. Analyzed the data: MAGW PV MLK. Contributed reagents/materials/analysis tools: MAGW MW MLK PV EFC. Wrote the paper: MAGW EFC PV MW.

                Article
                PONE-D-13-48890
                10.1371/journal.pone.0094446
                3989225
                24740381
                a5c8e4eb-42f3-4726-b10c-24ef1ac72047
                Copyright @ 2014

                This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

                History
                : 3 December 2013
                : 16 March 2014
                Page count
                Pages: 12
                Funding
                During this study, MAGW held a linked Clarendon Fund-Wadham College Oxford scholarship. MLK is funded by the TrygFonden Charitable Foundation. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.
                Categories
                Research Article
                Biology and Life Sciences
                Anatomy
                Nervous System
                Motor System
                Neuroscience
                Cognitive Neuroscience
                Motor Reactions
                Cognitive Science
                Cognitive Psychology
                Motivation
                Sensory Systems
                Auditory System
                Psychology
                Behavior
                Emotions
                Medicine and Health Sciences
                Mental Health and Psychiatry
                Social Sciences

                Uncategorized
                Uncategorized

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