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      Lindonéia, Clandestinas e a prosa anônima das ruas: conversações entre arte, jornal e paisagem urbano-cultural Translated title: Lindonéia, Clandestinas and the anonymous prose of the streets: conversations between art, newspaper and the urban-cultural landscape

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          Abstract

          Resumo Os processos civilizatórios da América Latina se deram, e ainda se dão, de modos múltiplos, nunca completos e sempre aptos a incorporar textos exógenos. Por isso é necessário indisciplinar as fronteiras dos saberes, para nos relacionarmos com sua diversidade cultural (Martín-Barbero). Isso quer dizer que, no continente, os textos da cultura escapam às categorizações estanques e, quando postos em relação, acabam por intercambiar elementos de uma série cultural para outra (Pinheiro), produzindo alargamentos dialógicos entre suas fronteiras (Lotman). À luz desses conceitos, o artigo retoma experiências artísticas realizadas no Rio de Janeiro nas décadas de 1960 e 1970, por Rubens Gerchman e Antonio Manuel. Algumas obras desses artistas serão abordadas como arranjos expressivos inéditos entre séries culturais – o jornal, as artes plásticas e a paisagem urbano-cultural. Nessas experimentações, não podemos deixar de considerar o contexto da ditadura no Brasil, presente nas obras por meio de poéticas pouco óbvias, relacionadas com o cotidiano anônimo das ruas. Já o jornal impresso será tomado como objeto relacional que, no transbordamento de seus códigos próprios, abre-se para possibilidades de novas conexões e dobras de sistemas sobre outros sistemas – oralidade sobre o texto, da música sobre a poesia, do texto sobre a imagem, das artes gráficas sobre a música etc.

          Translated abstract

          Abstract The civilizatory processes in Latin America have occurred, and still do, in a multitude of forms, never complete as a whole, and always willing to incorporate exogenous texts. Therefore, it is necessary to loosen the disciplinary frontiers of the many knowledges in order for us to relate to the cultural diversity (MartínBarbero). In this sense, in the continent, the texts in-culture don’t and can’t fit the watertight categories and, when brought into comparison with other texts, ultimately exchange elements of a cultural universe to another (Pinheiro), enlarging the dialogic frontiers between them. (Lotman). In the light of those concepts, this article recaptures artistic experiments carried out in Rio de Janeiro in the 1960’s and 1970’s by Rubens Gerchman and Antonio Manuel. Some of the works by these artists are to be approached as unprecedented expressive arrangements between cultural series: The newspaper, arts and the cultural-urban landscape. In these experiments, the context of Brazil’s dictatorship at the time cannot go unmentioned, as it is present in the works through their subtle poetry, related with the anonymity of the everyday life in the streets. As for the newspaper, it shall be taken as a relational object that, in the overflowing of its own set of codes, opens itself to the possibility of new connections and folds of systems over other systems - orality over text, music over poetry, text over image, graphic arts over music, etc.

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          Most cited references23

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          Ofício do cartógrafo: Travessias latino-americanas da comunicação na cultura

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            La Semiosfera I: semiótica de la cultura del texto

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              Antonio Manuel: I want to act, not to represent!

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                Author and article information

                Contributors
                Role: ND
                Journal
                gal
                Galáxia (São Paulo)
                Galáxia (São Paulo)
                Programa de Estudos Pós-graduados em Comunicação e Semiótica - PUC-SP (São Paulo, SP, Brazil )
                1519-311X
                1982-2553
                December 2017
                : 0
                : 36
                : 172-185
                Affiliations
                [01] São Paulo orgnameUniversidade Paulista orgdiv1faculdade de Arquitetura e Urbanismo e Design de Interiores Brazil milagoudet@ 123456gmail.com
                Article
                S1982-25532017000300172
                10.1590/1982-2554231685
                a84d5532-8612-47bd-8e0e-575b770c0117

                This work is licensed under a Creative Commons Attribution 4.0 International License.

                History
                : January 2017
                : March 2017
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 23, Pages: 14
                Product

                SciELO Brazil


                arte,jornal,cidade,Antonio Manuel,Lindonéia,art,newspaper,city
                arte, jornal, cidade, Antonio Manuel, Lindonéia, art, newspaper, city

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