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      A Practical Approach to Using Motion Capture in Performance Dance

      1 , 2 , 2

      Electronic Visualisation and the Arts (EVA)

      Electronic Visualisation and the Arts

      12 - 14 July 2016

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          Abstract

          When we encounter material objects in the gallery - artworks or archaeological artefacts - we are reading narratives authored in the institutional voice of the museum that can be compelling but, at the same time, through their opaque structure, can be totalizing in their delivery. In reading these macro-narratives we are assured that this is the story - whether it is national, local or historical in nature. How could these persuasive narratives be seen as less than irrevocable, especially when they are punctuated by the physical evidence that is laid out in front of our very own eyes? However, when ‘normative’ displays of ‘our’ heritage, or ‘our’ shared memory are presented in the gallery not all visitors will necessarily concur with this message. Visitors may, of course, comply with the story line and will readily engage with the narrative; alternatively, the exhibition message may be read in opposition, while at other times visitors may simply react indifferently.

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          Most cited references 6

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          A Virtual Reality Dance Training System Using Motion Capture Technology

           J Chan,  T Komura,  J K T Tang (2011)
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            Dancing in Suits : a Performer’s Perspective

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              • Article: not found

              [arrajstre: A data driven ballet

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                Author and article information

                Contributors
                Conference
                July 2016
                July 2016
                : 284-286
                Affiliations
                [1 ] University of Worcester

                Institute of Sport and Exercise Science

                Henwick Grove, Worcester, WR2 6AJ, UK
                [2 ] University of Worcester

                Department of Computing

                Henwick Grove, Worcester, WR2 6AJ, UK
                Article
                10.14236/ewic/EVA2016.56

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Electronic Visualisation and the Arts
                EVA
                London, UK
                12 - 14 July 2016
                Electronic Workshops in Computing (eWiC)
                Electronic Visualisation and the Arts
                Product
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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