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      Use and Usefulness of Dynamic Face Stimuli for Face Perception Studies—a Review of Behavioral Findings and Methodology

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          Abstract

          Faces that move contain rich information about facial form, such as facial features and their configuration, alongside the motion of those features. During social interactions, humans constantly decode and integrate these cues. To fully understand human face perception, it is important to investigate what information dynamic faces convey and how the human visual system extracts and processes information from this visual input. However, partly due to the difficulty of designing well-controlled dynamic face stimuli, many face perception studies still rely on static faces as stimuli. Here, we focus on evidence demonstrating the usefulness of dynamic faces as stimuli, and evaluate different types of dynamic face stimuli to study face perception. Studies based on dynamic face stimuli revealed a high sensitivity of the human visual system to natural facial motion and consistently reported dynamic advantages when static face information is insufficient for the task. These findings support the hypothesis that the human perceptual system integrates sensory cues for robust perception. In the present paper, we review the different types of dynamic face stimuli used in these studies, and assess their usefulness for several research questions. Natural videos of faces are ecological stimuli but provide limited control of facial form and motion. Point-light faces allow for good control of facial motion but are highly unnatural. Image-based morphing is a way to achieve control over facial motion while preserving the natural facial form. Synthetic facial animations allow separation of facial form and motion to study aspects such as identity-from-motion. While synthetic faces are less natural than videos of faces, recent advances in photo-realistic rendering may close this gap and provide naturalistic stimuli with full control over facial motion. We believe that many open questions, such as what dynamic advantages exist beyond emotion and identity recognition and which dynamic aspects drive these advantages, can be addressed adequately with different types of stimuli and will improve our understanding of face perception in more ecological settings.

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          Most cited references63

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          Is there universal recognition of emotion from facial expression? A review of the cross-cultural studies.

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            Do you see what I am saying? Exploring visual enhancement of speech comprehension in noisy environments.

            Viewing a speaker's articulatory movements substantially improves a listener's ability to understand spoken words, especially under noisy environmental conditions. It has been claimed that this gain is most pronounced when auditory input is weakest, an effect that has been related to a well-known principle of multisensory integration--"inverse effectiveness." In keeping with the predictions of this principle, the present study showed substantial gain in multisensory speech enhancement at even the lowest signal-to-noise ratios (SNRs) used (-24 dB), but it was also evident that there was a "special zone" at a more intermediate SNR of -12 dB where multisensory integration was additionally enhanced beyond the predictions of this principle. As such, we show that inverse effectiveness does not strictly apply to the multisensory enhancements seen during audiovisual speech perception. Rather, the gain from viewing visual articulations is maximal at intermediate SNRs, well above the lowest auditory SNR where the recognition of whole words is significantly different from zero. We contend that the multisensory speech system is maximally tuned for SNRs between extremes, where the system relies on either the visual (speech-reading) or the auditory modality alone, forming a window of maximal integration at intermediate SNR levels. At these intermediate levels, the extent of multisensory enhancement of speech recognition is considerable, amounting to more than a 3-fold performance improvement relative to an auditory-alone condition.
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              Deciphering the enigmatic face: the importance of facial dynamics in interpreting subtle facial expressions.

              Most studies investigating the recognition of facial expressions have focused on static displays of intense expressions. Consequently, researchers may have underestimated the importance of motion in deciphering the subtle expressions that permeate real-life situations. In two experiments, we examined the effect of motion on perception of subtle facial expressions and tested the hypotheses that motion improves affect judgment by (a) providing denser sampling of expressions, (b) providing dynamic information, (c) facilitating configural processing, and (d) enhancing the perception of change. Participants viewed faces depicting subtle facial expressions in four modes (single-static, multi-static, dynamic, and first-last). Experiment 1 demonstrated a robust effect of motion and suggested that this effect was due to the dynamic property of the expression. Experiment 2 showed that the beneficial effect of motion may be due more specifically to its role in perception of change. Together, these experiments demonstrated the importance of motion in identifying subtle facial expressions.

                Author and article information

                Contributors
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                03 August 2018
                2018
                : 9
                : 1355
                Affiliations
                [1] 1Department of Brain and Cognitive Sciences, Massachusetts Institute of Technology , Cambridge, MA, United States
                [2] 2Department Human Perception, Cognition and Action, Max Planck Institute for Biological Cybernetics , Tübingen, Germany
                [3] 3Division of Medical Psychology and Department of Psychiatry, University of Bonn , Bonn, Germany
                Author notes

                Edited by: Eva G. Krumhuber, University College London, United Kingdom

                Reviewed by: Olga A. Korolkova, Brunel University London, United Kingdom; Guillermo Recio, Universität Hamburg, Germany

                *Correspondence: Katharina Dobs katharina.dobs@ 123456gmail.com

                This article was submitted to Emotion Science, a section of the journal Frontiers in Psychology

                Article
                10.3389/fpsyg.2018.01355
                6085596
                30123162
                b1b4b870-972d-418f-9ae8-d61cef92ac86
                Copyright © 2018 Dobs, Bülthoff and Schultz.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 06 March 2018
                : 13 July 2018
                Page count
                Figures: 1, Tables: 0, Equations: 0, References: 73, Pages: 7, Words: 5735
                Funding
                Funded by: Alexander von Humboldt-Stiftung 10.13039/100005156
                Funded by: Max-Planck-Gesellschaft 10.13039/501100004189
                Categories
                Psychology
                Mini Review

                Clinical Psychology & Psychiatry
                dynamic faces,facial animation,facial motion,dynamic face stimuli,face perception,social perception,identity-from-motion,facial expressions

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