Animation in Palaeolithic art: a pre-echo of cinema

Abstract

Marc Azéma a Palaeolithic researcher and film maker has been exploring the representation of animal movement in cave art for more than 20 years, and here shares with us his latest examples, culled from the parietal art in the Chauvet Cave (Ardèche) and La Baume Latrone (Gard). Here he has shown that Palaeolithic artists have invented systems of breaking down movement and graphic narrative. His co-author, Florent Rivère, discovered that animal movement was also represented in more dynamic ways—with the use of animals drawn on a spinning disc. In these flickering images created by Palaeolithic people, the authors suggest, lie the origins of cinema.