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      Freely improvised and non-academic electroacoustic music by urban folks

        ,

      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)

      Media Art, Science, and Technology

      August 20-23, 2019

      Improvised electroacoustic music, folklore, DIY, circuit-bending, artist networks

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          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          We discuss history and characteristics of the evolving global networks of anarchic communities of independent experimental musical artists that over the past half century have continued to flourish outside of established cultural institutions and with but incidental, ad hoc, financial funding. As a case-study related to our own practice we give an in-depth look into the International Headphone Festival Le Placard (1998-2013), a series of ephemeral (headphones only) concert-sites and laboratories for (not only) sound art and electronic music, that was highly innovative and influential also in the worlds of academic and commercial music, though, being the result of collective creative efforts, transmitted in (contemporary equivalents of) the fundamentally aural tradition that is typical of artistic folk modes, this is an influence destined to remain anonymous, henceun-credited.

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          Most cited references 6

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          Ultra. Opkomst en ondergang van de Ultramodernen, een unieke Nederlandse muziekstroming (1978-1983)

           H Schellinx (2012)
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            Pure sound injury

             H Schellinx (2004)
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              Az elektroakusztikus improvizáció mint metanyelv és rogzített pont (Electroacoustic improvisation as metalanguage and fixed point (i))

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                Author and article information

                Contributors
                Conference
                August 2019
                August 2019
                : 165-176
                Affiliations
                ana-R & IESA

                Paris, France
                ana-R & Sorbonne Université

                Paris, France
                Article
                10.14236/ewic/RESOUND19.26
                © Schellinx et al. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
                RE:SOUND 2019
                8
                Aalborg, Denmark
                August 20-23, 2019
                Electronic Workshops in Computing (eWiC)
                Media Art, Science, and Technology
                Product
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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