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      Can Birds Perceive Rhythmic Patterns? A Review and Experiments on a Songbird and a Parrot Species

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          Abstract

          While humans can easily entrain their behavior with the beat in music, this ability is rare among animals. Yet, comparative studies in non-human species are needed if we want to understand how and why this ability evolved. Entrainment requires two abilities: (1) recognizing the regularity in the auditory stimulus and (2) the ability to adjust the own motor output to the perceived pattern. It has been suggested that beat perception and entrainment are linked to the ability for vocal learning. The presence of some bird species showing beat induction, and also the existence of vocal learning as well as vocal non-learning bird taxa, make them relevant models for comparative research on rhythm perception and its link to vocal learning. Also, some bird vocalizations show strong regularity in rhythmic structure, suggesting that birds might perceive rhythmic structures. In this paper we review the available experimental evidence for the perception of regularity and rhythms by birds, like the ability to distinguish regular from irregular stimuli over tempo transformations and report data from new experiments. While some species show a limited ability to detect regularity, most evidence suggests that birds attend primarily to absolute and not relative timing of patterns and to local features of stimuli. We conclude that, apart from some large parrot species, there is limited evidence for beat and regularity perception among birds and that the link to vocal learning is unclear. We next report the new experiments in which zebra finches and budgerigars (both vocal learners) were first trained to distinguish a regular from an irregular pattern of beats and then tested on various tempo transformations of these stimuli. The results showed that both species reduced the discrimination after tempo transformations. This suggests that, as was found in earlier studies, they attended mainly to local temporal features of the stimuli, and not to their overall regularity. However, some individuals of both species showed an additional sensitivity to the more global pattern if some local features were left unchanged. Altogether our study indicates both between and within species variation, in which birds attend to a mixture of local and to global rhythmic features.

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            Experimental evidence for synchronization to a musical beat in a nonhuman animal.

            The tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot tapping, or dance) is a human universal [1] yet is not commonly observed in other species [2]. Does this ability reflect a brain specialization for music cognition, or does it build on neural circuitry that ordinarily serves other functions? According to the "vocal learning and rhythmic synchronization" hypothesis [3], entrainment to a musical beat relies on the neural circuitry for complex vocal learning, an ability that requires a tight link between auditory and motor circuits in the brain [4, 5]. This hypothesis predicts that only vocal learning species (such as humans and some birds, cetaceans, and pinnipeds, but not nonhuman primates) are capable of synchronizing movements to a musical beat. Here we report experimental evidence for synchronization to a beat in a sulphur-crested cockatoo (Cacatua galerita eleonora). By manipulating the tempo of a musical excerpt across a wide range, we show that the animal spontaneously adjusts the tempo of its rhythmic movements to stay synchronized with the beat. These findings indicate that synchronization to a musical beat is not uniquely human and suggest that animal models can provide insights into the neurobiology and evolution of human music [6].
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              Synchronous rhythmic flashing of fireflies. II.

              Synchronized flashing by males of some firefly species involves a capacity for visually coordinated, rhythmically coincident, inter-individual behavior that is apparently unique in the animal kingdom except for a few other arthropods and for man. This paper reviews (1) diverse communicative interactions that have evolved from elementary photic signals, (2) physiological mechanisms of synchronism, and (3) theories about its biological meaning. Work of the past 20 years shows that flash synchrony is widespread geographically and taxonomically, appears in an astonishing range of spectacular display types, utilizes several neural flash-control mechanisms and is pervasively but enigmatically involved in courtship. No proposed function for synchrony has been fully established but theory and physiology concur in indicating that synchrony aids male orientation toward the female, female recognition of male flashing, or both. Increased mate choice for the female is one likely ultimate benefit.
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                Author and article information

                Contributors
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                19 May 2016
                2016
                : 7
                : 730
                Affiliations
                [1] 1Behavioural Biology, Institute of Biology Leiden and Leiden Institute for Brain and Cognition, Leiden University Leiden, Netherlands
                [2] 2Amsterdam Brain and Cognition, Institute for Logic Language and Computation, University of Amsterdam Amsterdam, Netherlands
                Author notes

                Edited by: Angela Dorkas Friederici, Max Planck Institute for Human Cognitive and Brain Sciences, Germany

                Reviewed by: Erich David Jarvis, Duke University Medical Center, USA; Yoshimasa Seki, Aichi University, Japan

                *Correspondence: Michelle Spierings m.j.spierings.2@ 123456biology.leidenuniv.nl

                This article was submitted to Auditory Cognitive Neuroscience, a section of the journal Frontiers in Psychology

                †These authors have contributed equally to this work.

                Article
                10.3389/fpsyg.2016.00730
                4872036
                27242635
                b8e566bf-fdfc-4fca-a331-0c7e5265f639
                Copyright © 2016 ten Cate, Spierings, Hubert and Honing.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 10 December 2015
                : 29 April 2016
                Page count
                Figures: 5, Tables: 0, Equations: 0, References: 59, Pages: 14, Words: 12566
                Funding
                Funded by: Nederlandse Organisatie voor Wetenschappelijk Onderzoek 10.13039/501100003246
                Award ID: 360.70.452
                Categories
                Psychology
                Original Research

                Clinical Psychology & Psychiatry
                rhythm perception,songbirds,parrots,perceptual bias,local vs. global information

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