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      Mechanics of human voice production and control

      The Journal of the Acoustical Society of America
      Acoustical Society of America (ASA)

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          Abstract

          <p class="first" id="d7097841e140">As the primary means of communication, voice plays an important role in daily life. Voice also conveys personal information such as social status, personal traits, and the emotional state of the speaker. Mechanically, voice production involves complex fluid-structure interaction within the glottis and its control by laryngeal muscle activation. An important goal of voice research is to establish a causal theory linking voice physiology and biomechanics to how speakers use and control voice to communicate meaning and personal information. Establishing such a causal theory has important implications for clinical voice management, voice training, and many speech technology applications. This paper provides a review of voice physiology and biomechanics, the physics of vocal fold vibration and sound production, and laryngeal muscular control of the fundamental frequency of voice, vocal intensity, and voice quality. Current efforts to develop mechanical and computational models of voice production are also critically reviewed. Finally, issues and future challenges in developing a causal theory of voice production and perception are discussed. </p>

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          Most cited references132

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          Speech Analysis Synthesis and Perception

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            Synthesis of Voiced Sounds From a Two-Mass Model of the Vocal Cords

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              Review of text‐to‐speech conversion for English

              The automatic conversion of English text to synthetic speech is presently being performed, remarkably well, by a number of laboratory systems and commercial devices. Progress in this area has been made possible by advances in linguistic theory, acoustic-phonetic characterization of English sound patterns, perceptual psychology, mathematical modeling of speech production, structured programming, and computer hardware design. This review traces the early work on the development of speech synthesizers, discovery of minimal acoustic cues for phonetic contrasts, evolution of phonemic rule programs, incorporation of prosodic rules, and formulation of techniques for text analysis. Examples of rules are used liberally to illustrate the state of the art. Many of the examples are taken from Klattalk, a text-to-speech system developed by the author. A number of scientific problems are identified that prevent current systems from achieving the goal of completely human-sounding speech. While the emphasis is on rule programs that drive a format synthesizer, alternatives such as articulatory synthesis and waveform concatenation are also reviewed. An extensive bibliography has been assembled to show both the breadth of synthesis activity and the wealth of phenomena covered by rules in the best of these programs. A recording of selected examples of the historical development of synthetic speech, enclosed as a 33 1/3-rpm record, is described in the Appendix.
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                Author and article information

                Journal
                The Journal of the Acoustical Society of America
                The Journal of the Acoustical Society of America
                Acoustical Society of America (ASA)
                0001-4966
                October 2016
                October 2016
                : 140
                : 4
                : 2614-2635
                Article
                10.1121/1.4964509
                5412481
                27794319
                ba8ee81f-ab83-43cb-9f99-4c63f2e1097b
                © 2016
                History

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