Creative Computing and the Re-Configuration of Dance Ontology

This paper assesses the impact of the Choreographic Language Agent and the Digital Dance Archives on dance ontology. Enhanced visualisation - afforded by digital technology – impacts on the essential ontological features of dance, such as ephememerality and the human body. Referring to the work of Nelson Goodman (1968) and Martin Heidegger (1977), I discuss the significance of creative programming for dance, asking what such tools reveal about the ontology of the form and existing concepts of movement, notation and embodiment.

Content

Author and article information

Contributors

Hetty Blades

Conference

Publication date: July 2012

Publication date (Print): July 2012

Pages: 221-228

Affiliations

[0001]King’s College London

1D Chesham Building

Strand, London. WC2R 2LS

Article

DOI: 10.14236/ewic/EVA2012.38

SO-VID: c119effd-5fbb-4b28-9962-1647f4e958b7

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2012)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 10 - 12 July 2012

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2012.38

Self URI (journal page): https://ewic.bcs.org/

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Creative Computing and the Re-Configuration of Dance Ontology

Abstract