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      Music Proficiency and Quantification of Absolute Pitch: A Large-Scale Study among Brazilian Musicians

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          Abstract

          Absolute pitch (AP) is the ability to identify and name the pitch of a sound without external reference. Often, accuracy and speed at naming isolated musical pitches are correlated with demographic, biological, and acoustical parameters to gain insight into the genesis and evolution of this ability in specific cohorts. However, the majority of those studies were conducted in North America, Europe, or Asia. To fill this gap, here we investigated the pitch-naming performance in a large population of Brazilian conservatory musicians ( N = 200). As previously shown, we found that the population performance was rather a continuum than an “ all-or-none” ability. By comparing the observed distribution of correct responses to a theoretical binomial distribution, we estimated the prevalence of AP as being 18% amongst regular music students. High accuracy thresholds (e.g., 85% of correct responses) yielded a prevalence of 4%, suggesting that AP might have been underestimated in previous reports. Irrespective of the threshold used, AP prevalence was higher in musicians who started their musical practice and formal musical education early in life. Finally, we compared the performance of those music students (average proficiency group) with another group of students selected to take part in the conservatory orchestra (high proficiency group, N = 30). Interestingly, the prevalence of AP was higher in the latter in comparison to the former group. In addition, even when the response was incorrect, the mean absolute deviation from the correct response was smaller in the high proficiency group compared to the average proficiency group (Glass's Δ: 0.5). Taken together, our results show that the prevalence of AP in Brazilian students is similar to other non-tonal language populations, although this measure is highly dependent on the scoring threshold used. Despite corroborating that early involvement with musical practice and formal education can foster AP ability, the present data suggest that music proficiency may also play an important role in AP expression.

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          THE USE OF CONFIDENCE OR FIDUCIAL LIMITS ILLUSTRATED IN THE CASE OF THE BINOMIAL

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            Musicians detect pitch violation in a foreign language better than nonmusicians: behavioral and electrophysiological evidence.

            The aim of this study was to determine whether musical expertise influences the detection of pitch variations in a foreign language that participants did not understand. To this end, French adults, musicians and nonmusicians, were presented with sentences spoken in Portuguese. The final words of the sentences were prosodically congruous (spoken at normal pitch height) or incongruous (pitch was increased by 35% or 120%). Results showed that when the pitch deviations were small and difficult to detect (35%: weak prosodic incongruities), the level of performance was higher for musicians than for nonmusicians. Moreover, analysis of the time course of pitch processing, as revealed by the event-related brain potentials to the prosodically congruous and incongruous sentence-final words, showed that musicians were, on average, 300 msec faster than nonmusicians to categorize prosodically congruous and incongruous endings. These results are in line with previous ones showing that musical expertise, by increasing discrimination of pitch--a basic acoustic parameter equally important for music and speech prosody--does facilitate the processing of pitch variations not only in music but also in language. Finally, comparison with previous results [Schön, D., Magne, C., & Besson, M. The music of speech: Music training facilitates pitch processing in both music and language. Psychophysiology, 41, 341-349, 2004] points to the influence of semantics on the perception of acoustic prosodic cues.
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              Absolute pitch: perception, coding, and controversies.

              Recent findings in cognitive neuroscience and cognitive psychology are converging to shed light on the nature of processing, categorization and memory for pitch in humans and animals. Although most people are unable to name or place pitch values in consistent, well-defined categories, as they do for color, stable long-term memory for pitch has been shown in certain animal species, in infants, and in both adult musicians and non-musicians. 'Absolute pitch', the rare ability to label pitches without external reference, appears to require acquisition early in life, and involves specialized brain mechanisms, now partially identified. Research on pitch coding strategies informs wider theories in cognitive science of semantic memory, and the nature of perceptual categories.
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                Author and article information

                Contributors
                Journal
                Front Neurosci
                Front Neurosci
                Front. Neurosci.
                Frontiers in Neuroscience
                Frontiers Media S.A.
                1662-4548
                1662-453X
                13 October 2016
                2016
                : 10
                : 447
                Affiliations
                Brain Institute, Federal University of Rio Grande do Norte Natal, Brazil
                Author notes

                Edited by: Claude Alain, Rotman Research Institute, Canada

                Reviewed by: Lutz Jäncke, University of Zurich, Switzerland; Takako Fujioka, Stanford University, USA

                *Correspondence: Claudio M. T. Queiroz clausqueiroz@ 123456neuro.ufrn.br

                This article was submitted to Auditory Cognitive Neuroscience, a section of the journal Frontiers in Neuroscience

                Article
                10.3389/fnins.2016.00447
                5061754
                27790084
                cb8041d7-e81d-48a6-9223-97b09ed09271
                Copyright © 2016 Leite, Mota-Rolim and Queiroz.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 23 June 2016
                : 16 September 2016
                Page count
                Figures: 5, Tables: 1, Equations: 1, References: 63, Pages: 11, Words: 8468
                Funding
                Funded by: Conselho Nacional de Desenvolvimento Científico e Tecnológico 10.13039/501100003593
                Funded by: Coordenação de Aperfeiçoamento de Pessoal de Nível Superior 10.13039/501100002322
                Funded by: Financiadora de Estudos e Projetos 10.13039/501100004809
                Funded by: Fundação de Apoio à Pesquisa do Rio Grande do Norte 10.13039/501100005670
                Categories
                Neuroscience
                Original Research

                Neurosciences
                pitch perception,absolute pitch,music proficiency,pitch-naming test,pitch class,perfect pitch,pitch identification

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