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      The Illusion of Standardizing the Gods: The Cult of the Five Emperors in Late Imperial China

      The Journal of Asian Studies
      JSTOR

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          Abstract

          Nineteenth-century observers of the Fuzhou area, both Chinese and Western, were struck by the worship of a group of deities associated with pestilence and epidemic disease. The local people called these gods the Five Emperors ( Wudi). To Justus Doolittle, an American missionary stationed in Fuzhou, Proclaimed Zuo Zongtang, Governor-General of Fujian and Zhejiang: “the rival societies for getting up processions to parade the idols have from the beginning violated the law and corrupted morals, hence the evil must be stopped without delay” (Zuo 1867, 22). While these two observers each brought his own concern to bear on his perceptions of popular belief and ritual practice, they were united in their focus on the dangers the worship of these deities posed to public morality and order; neither was much interested in the identities or histories of these gods. But a detailed investigation of their identities and histories may explain how the deities were perceived as dangerous to public morality and order, and offers rich insight into the social history of Late Imperial China.

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          Most cited references6

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          Superscribing Symbols: The Myth of Guandi, Chinese God of War

          Historical studies of how myths and symbols change have only recently begun to emerge. They tend to stress the layered and historically stratified nature of myths, each stratum reflecting the concerns of an epoch or a particular group. Marina Warner (1982) has shown how the image of Joan of Arc has been differently interpreted by Nazis, nationalists, and feminists, among many others, and Jacques Le Goff (1980) has demonstrated how ecclesiastical and popular images of Saint Marcellus of Paris came to resemble each other but ultimately always remained apart. James Watson's stimulating study (1985) of Tian Hou, or the empress of heaven, argues that the outwardly unitary symbolic character of the goddess Tian Hou concealed important differences in what various social groups believed about her. Pioneering as they are, these works are only the start of efforts to probe the enormously complex relationship between change in the symbolic realm and historical change among social groups and institutions.
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            Changing Gods in Medieval China, 1127-1276 :

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              Seigneurs royaux, dieux des épidémies / Royal Majesties, Gods of Epidemics.

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                Author and article information

                Journal
                The Journal of Asian Studies
                J of Asian Stud
                JSTOR
                0021-9118
                1752-0401
                February 1997
                March 26 2010
                February 1997
                : 56
                : 1
                : 113-135
                Article
                10.2307/2646345
                cbff3b07-816c-48e7-8942-6bf7a527cb3f
                © 1997

                https://www.cambridge.org/core/terms

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