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      Teatro Pós-dramático, doze anos depois Translated title: Théâtre Postdramatique, douze ans plus tard Translated title: Postdramatic Theatre, 12 years later

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          Abstract

          RESUMO Este texto faz um balanço dos doze anos de emergência da prática e do termo Pós-dramático e alguns de seus desdobramentos e questões para as artes cênicas. Discutem-se as mudanças pelas quais a cena contemporânea foi protagonista desde 1999 e, em consequência, as mudanças que devemos considerar ao ler e analisar o pós-dramático; entre elas, a ênfase no trabalho colaborativo; as novas relações entre teatro e sociedade; os usos do coro; a atenção à dança; o retorno da palavra. Por fim, o texto coloca a questão de saber se o termo pós-dramático precisaria ou não ser revisto.

          Translated abstract

          RÉSUMÉ Ce texte dresse un bilan de la pratique et du terme postdramatique, depuis son émergence il y a douze ans, et de certains de ses développements appliqués aux arts du spectacle. Il propose une réflexion sur les bouleversements qu'a connu la scène contemporaine depuis 1999 et sur l'évolution du mode de lecture et d'analyse du postdramatique qui en découle. L'accent est mis sur le travail collectif; les nouvelles relations entre le théâtre et la société; les usages du cœur; l'attention portée à la danse; le retour du mot. Pour finir, le texte s'interroge sur éventuelle remise en question du terme postdramatique.

          Translated abstract

          ABSTRACT This text takes stock of the twelve years of emergence of the practice and term Postdramatic and some of its developments and issues in the performing arts. It discusses the changes through which the contemporary scene has gone since 1999 and consequently the changes we should consider when reading and analysing the concept of postdramatic; among them, the focus on collaborative work; new relations between theatre and society; the focus on dance; and the return of words. Finally, the text raises the question of whether or not the term postdramatic should be reconsidered.

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          Gender Trouble

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            L'Invention du Quotidien

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              Non-lieux: introduction à une anthropologie de la surmodernité

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                Author and article information

                Contributors
                Role: ND
                Journal
                rbep
                Revista Brasileira de Estudos da Presença
                Rev. Bras. Estud. Presença
                Universidade Federal do Rio Grande do Sul
                2237-2660
                December 2013
                : 3
                : 3
                : 859-878
                Affiliations
                [1 ] Johann Wolfgang Goethe-Universität Frankfurt am Main Alemanha
                Article
                S2237-26602013000300859
                10.1590/2237-266039703
                cdd1b18d-6e8c-4ded-ba67-65110986e6da

                This work is licensed under a Creative Commons Attribution 4.0 International License.

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                SciELO Brazil

                Self URI (journal page): http://www.scielo.br/scielo.php?script=sci_serial&pid=2237-2660&lng=en
                Categories
                ART

                General arts
                Teatro Pós-dramático,Hans-Thies Lehmann,Espetáculo,Cena Contemporânea,Artes Cênicas,Théâtre Postdramatique,Spectacle,Scène Contemporaine,Arts du Spectacle,Postdramatic Theatre,Contemporary Scene,Performing Arts

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