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      Chorusing, synchrony, and the evolutionary functions of rhythm

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          Abstract

          A central goal of biomusicology is to understand the biological basis of human musicality. One approach to this problem has been to compare core components of human musicality (relative pitch perception, entrainment, etc.) with similar capacities in other animal species. Here we extend and clarify this comparative approach with respect to rhythm. First, whereas most comparisons between human music and animal acoustic behavior have focused on spectral properties (melody and harmony), we argue for the central importance of temporal properties, and propose that this domain is ripe for further comparative research. Second, whereas most rhythm research in non-human animals has examined animal timing in isolation, we consider how chorusing dynamics can shape individual timing, as in human music and dance, arguing that group behavior is key to understanding the adaptive functions of rhythm. To illustrate the interdependence between individual and chorusing dynamics, we present a computational model of chorusing agents relating individual call timing with synchronous group behavior. Third, we distinguish and clarify mechanistic and functional explanations of rhythmic phenomena, often conflated in the literature, arguing that this distinction is key for understanding the evolution of musicality. Fourth, we expand biomusicological discussions beyond the species typically considered, providing an overview of chorusing and rhythmic behavior across a broad range of taxa (orthopterans, fireflies, frogs, birds, and primates). Finally, we propose an “Evolving Signal Timing” hypothesis, suggesting that similarities between timing abilities in biological species will be based on comparable chorusing behaviors. We conclude that the comparative study of chorusing species can provide important insights into the adaptive function(s) of rhythmic behavior in our “proto-musical” primate ancestors, and thus inform our understanding of the biology and evolution of rhythm in human music and language.

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          On aims and methods of Ethology

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            From Kuramoto to Crawford: exploring the onset of synchronization in populations of coupled oscillators

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              Sensorimotor synchronization: a review of recent research (2006-2012).

              Sensorimotor synchronization (SMS) is the coordination of rhythmic movement with an external rhythm, ranging from finger tapping in time with a metronome to musical ensemble performance. An earlier review (Repp, 2005) covered tapping studies; two additional reviews (Repp, 2006a, b) focused on music performance and on rate limits of SMS, respectively. The present article supplements and extends these earlier reviews by surveying more recent research in what appears to be a burgeoning field. The article comprises four parts, dealing with (1) conventional tapping studies, (2) other forms of moving in synchrony with external rhythms (including dance and nonhuman animals' synchronization abilities), (3) interpersonal synchronization (including musical ensemble performance), and (4) the neuroscience of SMS. It is evident that much new knowledge about SMS has been acquired in the last 7 years.
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                Author and article information

                Contributors
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                10 October 2014
                2014
                : 5
                : 1118
                Affiliations
                [1]Department of Cognitive Biology, Faculty of Life Sciences, University of Vienna, Vienna Austria
                Author notes

                Edited by: Jessica A. Grahn, Western University, Canada

                Reviewed by: Bjorn Hellmut Merker, Independent Researcher, Sweden; John Rehner Iversen, University of California-San Diego, USA

                *Correspondence: Andrea Ravignani and W. Tecumseh Fitch, Department of Cognitive Biology, Faculty of Life Sciences, University of Vienna, Althanstrasse 14, 1090 Vienna, Austria e-mail: andrea.ravignani@ 123456gmail.com ; tecumseh.fitch@ 123456univie.ac.at

                Present address: Andrea Ravignani, Artificial Intelligence Lab, Vrije Universiteit Brussel, Pleinlaan 2, 1050 Brussels, Belgium

                This article was submitted to Auditory Cognitive Neuroscience, a section of the journal Frontiers in Psychology.

                Article
                10.3389/fpsyg.2014.01118
                4193405
                25346705
                d3abb9bc-f141-4ae4-bd46-edf2cdfa7b53
                Copyright © 2014 Ravignani, Bowling and Fitch.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 10 June 2014
                : 15 September 2014
                Page count
                Figures: 4, Tables: 1, Equations: 0, References: 103, Pages: 15, Words: 0
                Categories
                Psychology
                Hypothesis and Theory Article

                Clinical Psychology & Psychiatry
                rhythm,synchronization,isochrony,chorusing,evolution of communication,music perception,coupled oscillators,timing

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