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      How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity

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      Electronic Visualisation and the Arts (EVA 2013) (EVA)

      Electronic Visualisation and the Arts (EVA 2013)

      29 - 31 July 2013

      Embodied cognition, Art painting, Metaphor, Intersubjectivity, Enactive transformation, Perception, Semiotics

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          Abstract

          Tacit knowledge represents an embodied understanding of experience that shapes our form and action (Polanyi). For this study, the mimetic transformation of this ‘hidden’ knowledge is described as a process of active engagement in order to arrive at a conditional representation of experience that seeks validation through the stimulation of intersubjective ‘resonance’.

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          Author and article information

          Contributors
          Conference
          July 2013
          July 2013
          : 127-134
          Affiliations
          Simon Fraser University

          8888 University Dr Burnaby BC

          Canada V5A 1S6
          Article
          10.14236/ewic/EVA2013.28
          © Suk Kyoung Choi et al. Published by BCS Learning and Development Ltd. Electronic Visualisation and the Arts (EVA 2013), London, UK

          This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

          Electronic Visualisation and the Arts (EVA 2013)
          EVA
          London, UK
          29 - 31 July 2013
          Electronic Workshops in Computing (eWiC)
          Electronic Visualisation and the Arts (EVA 2013)
          Product
          Product Information: 1477-9358BCS Learning & Development
          Self URI (journal page): https://ewic.bcs.org/
          Categories
          Electronic Workshops in Computing

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