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      Music education students’ intrinsic and extrinsic motivation: A quantitative analysis of personal narratives

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      Psychology of Music
      SAGE Publications

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          Abstract

          In this study, I sought to identify the characteristics of musical experiences that contribute to young musicians’ motivation for musical engagement. A comprehensive review of the literature produced 15 characteristics in three broader categories of contextual, process, and affective characteristics. These formed the basis of the coding scheme used in a content analysis of narratives provided by 102 music education majors. Participants wrote two narratives: one about an intrinsically motivated musical activity and one about an extrinsically motivated activity. The resulting narratives were coded according to whether they showed each of the 15 characteristics. The work of a second coder indicated that the coding had very high reliability. The content analysis offered several important findings. The characteristics supporting intrinsic motivation were varied and multi-layered. They included Enjoyment, Social connection, Expression, Learner-directed/autonomy, Creativity/experimentation, and Identity. In contrast, the characteristics of extrinsically motivated activities were more simply—and sometimes even singularly—supported, and they emphasized Virtue/value and Achievement. Subsequent analyses and discussion focused on instances in which characteristics more associated with intrinsic motivation appeared in narratives about extrinsically motivated activities, and vice versa.

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          Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being.

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            The role of deliberate practice in the acquisition of expert performance.

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              A 2 X 2 achievement goal framework.

              A 2 x 2 achievement goal framework comprising mastery-approach, mastery-avoidance, performance-approach, and performance-avoidance goals was proposed and tested in 3 studies. Factor analytic results supported the independence of the 4 achievement goal constructs. The goals were examined with respect to several important antecedents (e.g., motive dispositions, implicit theories, socialization histories) and consequences (e.g., anticipatory test anxiety, exam performance, health center visits), with particular attention allocated to the new mastery-avoidance goal construct. The results revealed distinct empirical profiles for each of the achievement goals; the pattern for mastery-avoidance goals was, as anticipated, more negative than that for mastery-approach goals and more positive than that for performance-avoidance goals. Implications of the present work for future theoretical development in the achievement goal literature are discussed.
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                Author and article information

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                Journal
                Psychology of Music
                Psychology of Music
                SAGE Publications
                0305-7356
                1741-3087
                September 2021
                August 23 2020
                September 2021
                : 49
                : 5
                : 1321-1343
                Affiliations
                [1 ]University of Nebraska–Lincoln, Lincoln, NE, USA
                Article
                10.1177/0305735620944224
                da673606-466a-44b1-b2db-f074bdaf4613
                © 2021

                http://journals.sagepub.com/page/policies/text-and-data-mining-license

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